Lawrence Gilliard Jr.
Bobby Boucher is a water boy for a struggling college football team. The coach discovers Boucher’s hidden rage makes him a tackling machine whose bone-crushing power might vault his team into the playoffs.
The Machinist is the story of Trevor Reznik, a lathe-operator who is dying of insomnia. In a machine shop, occupational hazards are bad enough under normal circumstances; yet for Trevor the risks are compounded by fatigue. Trevor has lost the ability to sleep. This is no ordinary insomnia…
After her mother’s death, mediocre chef Amanda Shelton is having trouble attracting customers to her family’s restaurant. While shopping for ingredients, she is given a magical crab by mysterious Gene O’Reilly. Afterward, Amanda’s dishes suddenly become excellent, inducing strong emotional reactions in everyone who eats them. Tom Bartlett, who is preparing to open his own eatery, tries her cooking and falls in love.
On their way home from Brooklyn psychiatrist Vic, daughter Julie and sister Stacey run short of gas. They leave they highway to search a petrol station – but end up erring around in South Bronx. A youth gang under the sadistic Ice stops their car and starts menacing them. When Julie drives away in panic, she damages one of their bikes. Ice feels provoked and decides to hunt them down… without fuel the 3 women soon have to flee by foot and defend their life with all means possible. Only the youngest gang member T.J. tries to help them.
The story of the legalization and subsequent rise of the porn industry in New York’s Times Square from the early ’70s through the mid ’80s, exploring the rough-and-tumble world that existed there until the rise of HIV, the violence of the cocaine epidemic and the renewed real estate market ended the bawdy turbulence of the area.
Told from the points of view of both the Baltimore homicide and narcotics detectives and their targets, the series captures a universe in which the national war on drugs has become a permanent, self-sustaining bureaucracy, and distinctions between good and evil are routinely obliterated.