Victor Jory

Papillon

Papillon

Papillon

IMDb: 8.0
1973
151min

A man befriends a fellow criminal as the two of them begin serving their sentence on a dreadful prison island, which inspires the man to plot his escape.

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Gone with the Wind

Gone with the Wind

Gone with the Wind

IMDb: 8.2
1939
238min

The spoiled daughter of a well-to-do plantation owner is forced to use every means at her disposal to claw her way out of poverty, following Maj. Gen. William Sherman’s destructive “March to the Sea,” during the American Civil War.

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The Miracle Worker

The Miracle Worker

The Miracle Worker

IMDb: 8.1
1962
106min

The true story of the frightening, lonely world of silence and darkness of 7-year-old Helen Keller who, since infancy, has never seen the sky, heard her mother’s voice or expressed her innermost feelings. Then Annie Sullivan, a 20-year-old teacher from Boston, arrives. Having just recently regained her own sight, the no-nonsense Annie reaches out to Helen through the power of touch, the only tool they have in common, and leads her bold pupil on a miraculous journey from fear and isolation to happiness and light.

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The Mountain Men

The Mountain Men

The Mountain Men

IMDb: 6.5
1980
102min

The story concerns two grizzled mountain men — Bill Tyler and Henry Frapp — during the dying days of the fur-trapping era. The plot begins when Running Moon runs away from her abusive husband Heavy Eagle and comes across the two seedy fur trappers. The mountain men take her in, unaware that Heavy Eagle has dispatched an army of Indian braves to reclaim her.

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Flap

Flap

Flap

IMDb: 6.7
1970
106min

Comedy based on the plight of modern Native Americans living on reservations.

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Power of the Press

Power of the Press

Power of the Press

IMDb: 6.3
1943
64min

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

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