France
“If buildings could talk, what would they say about us?” CATHEDRALS OF CULTURE offers six startling responses. This 3D film project about the soul of buildings allows six iconic and very different buildings to speak for themselves, examining human life from the unblinking perspective of a manmade structure. Six acclaimed filmmakers bring their own visual style and artistic approach to the project. Buildings, they show us, are material manifestations of human thought and action: the Berlin Philharmonic, an icon of modernity; the National Library of Russia, a kingdom of thoughts; Halden Prison, the world’s most humane prison; the Salk Institute, an institute for breakthrough science; the Oslo Opera House, a futuristic symbiosis of art and life; and the Centre Pompidou, a modern culture machine. CATHEDRALS OF CULTURE explores how each of these landmarks reflects our culture and guards our collective memory.
A film director and her muse who was a student activist in the 1970s, a waitress who keeps changing jobs, an actor and an actress, all live loosely connected to each other by almost invisible threads. The narrative sheds its skin several times to reveal layer upon layer of the complexities that make up the characters’ lives.
Trace the history of Hitler’s armored private train, a 15-car mobile headquarters boasting state-of-the-art communications and anti-aircraft cannons.
Donald Trump became the 45th President of the United States by winning three key states, a victory engineered by an ultra-conservative faction that quietly mapped its way to power using fake news, lies and psychometrics. This explosive documentary fo…
The story is one of an architect that has lost his inspiration and goes looking for those motivations that pushed him as a youngster to take up the profession. Inspiring him was the baroque movement and all of its artifices: the Guarini in Turin and the Borromini in Rome. The film’s central story ends up being the love story that develops between architecture, artistic inspiration and feelings.
On a summer day, a man, his daughter and his companion arrive at their country house to spend the weekend. The daughter has just moved in with her father, whose attention she desires. The man is tired of his life, and does not know where to find the strength to carry on living. The woman, a violinist, is confused in her priorities – music, love or career. Despite the fact that the man and the woman love each other, their tense relationship is on the brink of collapse.
A young man who lives with his mother and has never known his father, heads off to look for him. He finds a cynical and Machiavellian man who works as a publisher in Paris. After he attempts to kill him, he finds filial love thanks to his uncle.
Spain, 1950s. Montse’s agoraphobia keeps her locked in a sinister apartment in Madrid and her only link to reality is the little sister she lost her youth raising. But one day, a reckless young neighbor, Carlos, falls down the stairwell and drags himself to their door. Someone has entered the shrew’s nest… perhaps he’ll never leave.
The story of Sport and Spoon – two young hustlers who attend the eponymous convention, only to get tangled up in a financial disagreement that leads to a shootout, police chase and finishes with Sport on death row, weighing up what it all means. Taking its title from the album, the film blends archive photos with interviews and uses unique animated sequences set to the album. It portrays Hustlers Convention in its wider social context and Jalal’s personal story as one of rap’s undisputed pioneers.
A delirious sci-fi riff on the Arabian Nights’ ‘Tale of the Hunchback’, that submerges us in a technological dystopia reigned by Dalaya.com, a mega-corporation that forces its employees to ‘relax’ at company-run medieval reenactments.
Since the late 1970s, Bill Gates and Steve Jobs wrote the future of computers with a battle between the Mac and the PC on the main stage. Their rivalry was so spectacular that it almost embodies the entire digital revolution. Both men dropped out of college and changed the world with their ideas, and even though they were adversaries, they always retained a high level of respect for each other.
In a deserted rich house, a couple of amphibians explore their surroundings and follow their primal instincts.
In the year of 1066AD, William the Conqueror is about to embark from Dives-sur-Mer to conquer England. In the event that he would not return alive, Guillaume introduced his son Robert to his loyal barons to receive the ducal throne heritage.
This essay film tells of the ocean as a place of yearning, of the world of giant container ships and their crews, and the women that wait for them in ports and drinking holes. The protagonists’ thoughts are rendered as inner monologues in voiceover, all set to striking documentary images. Sandy represents all the women willing to give themselves to strange men, the perfect complement for the desire of all those roaming restlessly from port to port. The film has an affectionate eye for this eccentric former prostitute, for her body marked by life, lust, and the men she’s met, as well as for her free, yet romantic idea of love. She is a siren and Penelope in equal measure.
A drama about several lonely inhabitants of the same council estate, adapted by Benchetrit from his novel.
A young girl disappears in a forest in the heart of São Paulo, Brazil.
Maxime and Mélanie are a typical teenage couple. Like most lovestruck fifteen-year-olds, they can’t get enough of each other and they think they’ll be together forever. But when Mélanie becomes pregnant, their worlds are rocked.
The life and work of Robert Frank—as a photographer and a filmmaker—are so intertwined that they’re one in the same, and the vast amount of territory he’s covered, from The Americans in 1958 up to the present, is intimately registered in his now-formidable body of artistic gestures. From the early ’90s on, Frank has been making his films and videos with the brilliant editor Laura Israel, who has helped him to keep things homemade and preserve the illuminating spark of first contact between camera and people/places. Don’t Blink is Israel’s like-minded portrait of her friend and collaborator, a lively rummage sale of images and sounds and recollected passages and unfathomable losses and friendships that leaves us a fast and fleeting imprint of the life of the Swiss-born man who reinvented himself the American way, and is still standing on ground of his own making at the age of 90.
We are in the year 2001, a temporary ceasefire brings a much-needed break to a small war-torn village in Northern Nepal, bringing much joy among the residents. Prakash and Kiran, two young close friends, are also starting to feel the change in the air. Though they are divided by caste and social creed, they remain inseparable, and start raising a hen given to Prakash by his sister, with hopes to save money by selling her eggs. However, the hen goes missing. To find it, they embark on a journey, innocently unaware of the tyranny brought by the fragile ceasefire.
A portrait of the day-to-day operations of the National Gallery of London, that reveals the role of the employees and the experiences of the Gallery’s visitors. The film portrays the role of the curators and conservators; the education, scientific, and conservation departments; and the audience of all kinds of people who come to experience it.
Under the sun, the heavenly beauty of grasslands will soon be covered by the raging dust of mines. Facing the ashes and noises caused by heavy mining , the herdsmen have no choice but to leave as the meadow areas dwindle. In the moonlight, iron mines are brightly lit throughout the night. Workers who operate the drilling machines must stay awake. The fight is tortuous, against the machine and against themselves. Meanwhile, coal miners are busy filling trucks with coals. Wearing a coal-dust mask, they become ghostlike creatures. An endless line of trucks will transport all the coals and iron ores to the iron works. There traps another crowd of souls, being baked in hell. In the hospital, time hangs heavy on miners’ hands. After decades of breathing coal dust, death is just around the corner. They are living the reality of purgatory, but there will be no paradise.
Jacques Arnault, head of Sud Secours NGO, is planning a high impact operation: he and his team are going to exfiltrate 300 orphan victims of the Chadian civil war and bring them to French adoption applicants. Françoise Dubois, a journalist, is invited to come along with them and handle the media coverage for this operation. Completely immersed in the brutal reality of a country at war, the NGO members start losing their convictions and are faced with the limits of humanitarian intervention.
Gertrude Bell, the most powerful woman in the British Empire in her day, shaped the destiny of Iraq after WWI in ways that still reverberate today.
Five interwoven stories of remarkable courage from Nuremberg to Rwanda, from Darfur to Syria, and from apathy to action.
There’s drama aplenty for the travelling theatre company Chekhov Cabaret. The actors share the good times and the bad as a nomadic tribe where work and private life always mingle. They don’t mince words, these obstreperous actors with a sardonic sense of humour. Theatre always comes first.
The only journey is the one within. Mandorla explores a man’s search for a meaningful life despite conflicts between his inner and outer worlds. Ernesto is a visual artist and seeker stuck in a corporate job, who is drawn by dark magical visions to a medieval French city. There he seeks an elusive banker to help him unlock an obscure dream that threatens his job, family, and sanity.
Before Dawn charts the years of exile in the life of famous Jewish Austrian writer Stefan Zweig, his inner struggle for the “right attitude” towards the events in war torn Europe and his search for a new home.
The story of a woman who dreams to join an intervention group in the police department called RAID. Unfortunately, she is rather clumsy and both her family (and soon to be family-in-law) and a veteran of the RAID do not approve. However, Johanna is determined to prove them wrong.
Day breaks on the eighth floor in a suburban neighbourhood of Lisbon and 14-year-old Bruno’s grandfather is still in hospital. Doctors give him only a few days to live. The imminence of death and the void that it will leave force Bruno to become the man of the house, where he lives with his mother Mónica, who is in her 30s, and his three-year-old sister Érica.
In a near future, the world order has changed. With its 10 millions of unemployed citizens, France has now become a poor country. Its people wavers between rebellion and resignation and find an outlet in the shape of TV broadcast ultra brutal fights in which the players are legally doped and unscrupulous.
Schroeder returns with this cross-generational relationship drama set against Europe’s electronic music scene.
In 20 years’ time, there will be nearly 1.6 billion smokers around the world. Approximately 70% of smokers want to quit. The United Nations’ World Health Organisation expects a billion people will die prematurely from smoking this century. The products their doctors recommend are rarely effective and many are trapped. A new vapour technology was invented to give smokers a successful way to quit. But it was quickly demonised, and even banned in many countries. A perfect storm is brewing between smokers trying to quit, government regulators, and health charities funded by the powerful pharmaceutical industry. Director Aaron Biebert travelled across four continents interviewing doctors, scientists, and others working to save a billion lives. What he found was profound government failure, widespread corruption in the public health community and powerful subversion by big business.
