Gabriel is a man who on the surface has it all-successful professional life as an architect, a beautiful wife, Annie, and a devoted young daughter, Elizabeth. But slowly it dawns on him that he is not really happy. Gabriel decides that he wants to write a play about the sorry state of his life. He quits his job, gets a pushy literary agent friend to represent him and starts writing. Although his marriage ends in a divorce, the play is success and although his life is different than it was, he is happier.

Kyle (Markiss McFadden), one of the many orphans raised in an orphanage by Father Antonio (Paul Sorvino) is an assassin who is sent on missions; from God. For years Father Antonio led these boys to believe they are killing in the name of God. Kyle was one of the best executioners of Father Antonio’s men. After placing a bomb in a little coffee shop to execute the owner a little boy Matthew (Aiden Wind) and his mother walks in the restaurant just seconds before the explosion. Kyle decided to save both of them but unfortunately he was only able to save the little boy. A reluctant Kyle takes him in and keeps him hidden for seven days. Through a very complex relationship Kyle discovers a different side in him he didn’t know existed. With all the fights, bullets flying, and explosions it’s going to be harder than he thought keeping Matthew safe. But with the help of Kyle’s beautiful neighbor Tara (Mischa Barton) it just might be possible.

Alan is a stylish tailor with moves as sharp as his suits. He has spent years searching tirelessly for his missing son Michael who stormed out over a game of Scrabble. With a body to identify and his family torn apart, Alan must repair the relationship with his youngest son Peter and solve the mystery of an online player who he thinks could be Michael, so he can finally move on and reunite his family.

Fueled by stunning footage, this stirring documentary considers wild horses’ role in the American psyche and their dwindling numbers in today’s West. In an artful blend of exquisite nature documentary and character-driven narrative, the majestic wild horses of the American West are revealed in stereoscopic 3D as never before. The wonder in a girl’s eye pulls us into the drama that unfolds on hundreds of millions of acres of public land. The battle lines have long been carved into the landscape, and the players are deeply entrenched. Yet as the subtle choreography that has evolved over thousands of years begins, we are captivated. The intricate dance between a man and a wild horse presents lessons for us all, even the battle-hardened special interest groups fighting for the place of the AMERICAN MUSTANG.

Sean McAllister is a successful fashion designer who hasn’t seen his family in years. He returns to his hometown for a painstaking family reunion that will take him back to his past only to rebuild his future.

Three detectives in the corrupt and brutal L.A. police force of the 1950s use differing methods to uncover a conspiracy behind the shotgun slayings of the patrons at an all-night diner.

Jules has just inherited a quaint Christmas tree farm bequeathed her by her grandmother. This is good news, since she plans to sell it and use the profits to buy her dream home in the city. The farm needs a bit of sprucing up, but Jules is a natural fixer so she’ll have it cleaned up in no time to impress buyers and be out by Christmas. But the longer Jules stays on the farm and the more she learns how important Christmas Land has been to so many families, the more Jules starts to question her motives to sell. And when the perfect buyer turns out to have ulterior motives for the farm, Jules must do whatever it takes to save Christmas Land.

Sent to live with his estranged father for the summer, a rebellious teen finds kinship in a tight-knit Philadelphia community of Black cowboys.

Christine is an ambitious 29-year-old news reporter, in Sarasota, FL, circa 1974. Relentlessly motivated to succeed, she knows she has talent, but being a driven career woman in the 1970s comes with its own challenges, especially when competition for a promotion, unrequited love for a coworker and a tumultuous home life lead to a dissolution of self. With ratings in the cellar, the station manager issues a mandate to deliver juicier and more exploitative stories, a story firmly at odds with Christine’s serious brand of issue-based journalism. To accomplish her goals, she must overcome her self-doubt and give the people what they want.

Culloden is a 1964 docudrama written and directed by Peter Watkins for BBC TV. It portrays the 1746 Battle of Culloden that resulted in the British Army’s destruction of the Scottish Jacobite uprising and, in the words of the narrator, “tore apart forever the clan system of the Scottish Highlands”. Described in its opening credits as “an account of one of the most mishandled and brutal battles ever fought in Britain”, Culloden was hailed as a breakthrough for its cinematography as well as its use of non-professional actors and its presentation of an historical event in the style of modern TV war reporting. The film was based on John Prebble’s study of the battle.

Susannah Cahalan, an up-and-coming journalist at the New York Post becomes plagued by voices in her head and seizures, causing a rapid descent into insanity.

Through stop-motion animation, drawings and interviews, directors Amer Shomali and Paul Cowan recreate an astonishing true story from the First Palestinian Intifada: the Israeli army’s pursuit of eighteen cows, whose independent milk production on a Palestinian collective farm was declared “a threat to the national security of the state of Israel.”