A popular sensation in medieval Europe, bestiaries were catalogs of beasts featuring exotic animal illustrations, zoological wisdom, and ancient legends. The documentary unfolds like a filmic picture book where both humans and animals are on display. As we observe them, they also observe us and one another, invoking the Hindu idea of “darshan”: a mutual beholding that initiates a shift in consciousness.

Oscar-winner Michael Moore dives right into hostile territory with his daring and hilarious one-man show, deep in the heart of TrumpLand in the weeks before the 2016 election.

Merely Marvelous is a celebration of the art and life of Broadway’s greatest dancing star, Gwen Verdon. She overcame many obstacles, including rickets, the Hollywood system, a loveless first marriage and a difficult second marriage to choreographer/director Bob Fosse, to become a multi-Tony Award-winning performer. Gwen’s life is told through interviews with family members and theatre associates as well as a mine of rare footage from her Broadway and Hollywood careers. Merely Marvelous is the story of a brave woman who rose to the very top of her profession.

The images could be taken from a science fiction film set on planet Earth after it’s become uninhabitable. Abandoned buildings – housing estates, shops, cinemas, hospitals, offices, schools, a library, amusement parks and prisons. Places and areas being reclaimed by nature, such as a moss-covered bar with ferns growing between the stools, a still stocked soft drinks machine now covered with vegetation, an overgrown rubbish dump, or tanks in the forest. Tall grass sprouts from cracks in the asphalt. Birds circle in the dome of a decommissioned reactor, a gust of wind makes window blinds clatter or scraps of paper float around, the noise of the rain: sounds entirely without words, plenty of room for contemplation. All these locations carry the traces of erstwhile human existence and bear witness to a civilisation that brought forth architecture, art, the entertainment industry, technologies, ideologies, wars and environmental disasters.

Antarctica lives in our dreams as the most remote, the most forbidding continent on Planet Earth. It is a huge land covered with ice as thick as three miles, seemingly invulnerable, cold and dark for eight months of the year. Yet Antarctica is also a fragile place, home to an incredible variety of life along its edges, arguably the most stunning, breathtaking and still-pristine place on earth. The one constant is that it is constantly changing, every season, every day, every hour. I’ve been fortunate to travel to Antarctica many times; most recently with 3D cameras, a first for the continent. The result is our new film, Antarctica: On the Edge.

The history of Italian zombie cinema, beginning with the breakout worldwide influence and success of George Romero’s Night of the Living Dead and continuing through to Lucio Fulci’s trend-setting Zombie Flesh-Eaters (Zombi 2) and its many imitators.

Mother and daughter – Big Edie and Little Edie Beale – live with six cats in a crumbling house in East Hampton. Little Edie, in her 50s, who wears scarves and bright colors, sings, mugs for the camera, and talks to Al and David Maysles, the filmmakers. Big Edie, in her 70s, recites poetry, comments on her daughter’s behavior, and sings “If I Loved You” in fine voice. She talks in short sentences; her daughter in volumes. The film is episodic: friends visit, there’s a small fire in the house, Little Edie goes to the shore and swims. She talks about the Catholic Church. She’s ashamed that local authorities raided the house because of all the cats. She values being different.

Filmmaker Liz Garbus investigates the mysterious tragedy of Diane Schuler in an effort to understand what went wrong.

A filmmaker discovers a box of video tapes depicting two students’ disturbing film project featuring a local horror legend, The Peeping Tom. As he sets out to prove this story is real and release it as a work of his own, he loses himself and the film crew following him into his project.

Dive into the hidden industry of digital cleaning, which rids the Internet of unwanted violence, porn and political content. Who is controlling what we see…and what we think?

True the Vote has been working with Dinesh D’Souza to create a bombshell movie that uses footage they obtained of ballot boxes in key states across America to steal the election in 2020. 100 Percent Fed Up reports – Using geo-tracking devices, True the Vote was able to take footage from drop boxes across America in key states like Georgia and others to track over 2,000 ‘mules” wearing gloves and disguises to stuff ballot boxes.

A feature documentary on formative personal and professional experiences in the life of writer J.D. Salinger