A tribe of cats called the Jellicles must decide yearly which one will ascend to the Heaviside Layer and come back to a new Jellicle life.
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What starts off as a typical day on the streets of Seattle soon becomes a terrifying bloodbath, when a great white shark devours an alien space probe…and ROBOSHARK is born. The U.S. military comes after it with guns blazing, but it’s the power of social media that puts an ambitious newscaster and her tech-savvy daughter ahead of everyone else in the race to stop the destruction.
It is a movie following the coming-of-age for a boy; the story begins in the mid-60s, continues all through the 70s, and finishes in 1981. He is a creative young man facing the troubles of the first pangs of love and we observe the way he tries to handle them within his social surroundings, his family, and environment.
For his fourth full feature, Toyoshi Toyoda has abandoned the theme of the angry young man, examined in depth in Pornostar, Blue Spring and 9 Souls. Kuchu Teien is, on the face of it, more a drama, a character study, than a typical Toyoda genre flick. Yet within this beautifully structured and photographed film, there lies a dark soul. Ostensibly the story of a happy family, it becomes increasingly clear as the movie progresses that the Kyobashis are anything but. Despite a family agreement that they are all open with each other, the entire household knows the opposite is true.
An unemployed construction worker (Homer Smith) heading out west stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict mother superior (Mother Maria), who believes that Homer has been sent by God to build a much needed church in the desert…
1956: The shy Jonathan’s luck with girls changes when he wins the rebellious Gene as a friend in his last year of high school. Gene is adored by many girls and manages to teach Jonathan a few lessons. Gene himself would rather just be with one girl: his girlfriend Bunny. But since his father is poor, her parents don’t accept him.
In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.
Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.