Peter Winter is a young schizophrenic who is desperately trying to get his daughter back from her adoptive family. He attempts to function in a world that, for him, is filled with strange voices, electrical noise, disconcerting images, and jarringly sudden emotional shifts. During his quest, he runs afoul of the law and an ongoing murder investigation.
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After a group of young revolutionaries break into a company’s corporate headquarters and steal $5,000,000 worth of heroin to keep it off the street, they call on San Francisco Police Lieutenant Virgil Tibbs for assistance.
A woman takes the law into her own hands after police ignore her pleas to arrest the man responsible for her husband’s death, and finds herself not only under arrest for murder but falling in love with an officer.
In Philadelphia, the psychologist Dr. Liz Manners is the host of the WLOR Talk Radio Show giving advices about relationships to her audience. When she suggests to her listener Sara Jane to leave her abusive and obsessive husband Kyle Lundstrom, Sara runs away home chased by Kyle and is hit by a car, immediately dying. The psychopath Kyle decides to use his money to destroy Dr. Manners’ life, and assuming the fake identity of the investor James, he meets her husband Rob and poisons her marriage
Former couple and pop music duo Averie and Jesse unexpectedly reunite at her inn during the holidays. As they spend time together, they rediscover long-buried feelings and must decide if they are meant to live their lives solo or in harmony together.
After committing a hit and run, a beautiful career woman attempts to clear her conscience by befriending her victim, a homeless but talented street musician.
After a financial apocalypse a young girl must protect her older sister as they wander a desert searching for a new home.
Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?
A look at a dysfunctional family dominated by the controlling madness of its matriarch, Eve. Her reluctant husband and their three daughters make doomed efforts to cope with Eve’s demands, while also trying to get on with their own lives. But, all bets are off when an ebullient stranger enters the picture.
An incident brings a mid-aged Taiwanese woman and a young Filipino guy together. Although they can barely communicate with each other in language, she takes care of him out of instinct before her self-consciousness gets in the way to define what that ambiguous instinct is.
Alone on a tiny deserted island, Hank has given up all hope of ever making it home again. But one day everything changes when a dead body washes ashore, and he soon realizes it may be his last opportunity to escape certain death. Armed with his new “friend” and an unusual bag of tricks, the duo go on an epic adventure to bring Hank back to the woman of his dreams.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.