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Roger Cobb is a author who has just separated from his wife. He moves into a new house and tries to work on a novel based on his experiences in the Vietnam War. Strange things start happening around him; little things at first, but as they become more frequent, Cobb becomes aware that the house resents his presence.
In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it’s up to teenagers in 1994 to finally put an end to their town’s curse, before it’s too late.
After their daughter is brutally murdered in their home, a grieving young couple, Allena and Julie Pkye; escape the city to find solace in the mountains. Julie photographs an abandoned prison she finds in the woods. Upon developing the prints, she becomes convinced her dead daughter is contacting her through the photographs.
It’s Halloween night, and two “bad apples” decide to play some wicked tricks on the one house in a suburban cul-de-sac that is not celebrating Halloween. They terrorize a young couple in their home and these tricks become increasingly more sinister as the night progresses, finally ending in a Halloween the entire neighborhood will never forget.
An 18-year-old high school girl is left at home by her parents and decides to have a slumber party. Meanwhile, a mass murderer with a propensity for power tools has escaped from prison, and eventually makes his way to the party where the guests begin dropping off one by one.
In the summer of 1979, gay porn producer Anne sets out to film her most ambitious film yet, but her actors are picked off, one by one, by a mysterious killer.
From the makers of The Last Exorcism comes a boldly original vision of horror. What if the most chilling novel of all time was actually based on a true account of a horrific experiment gone awry? When he is suspended from his university job for his outlandish ideas, Professor John Venkenheim leads a documentary film crew to the rim of the Arctic Circle in a desperate effort to vindicate his academic reputation. His theory: Mary Shelley’s ghastly story, “Frankenstein,” is, in fact, a work of non-fiction disguised as fantasy. In the vast, frozen wilderness, Venkenheim and his team search for the legendary monster, a creature mired in mystery and drenched in blood. What they find is an unspeakable truth more terrifying than any fiction…a nightmare from which there is no waking.
At the beginning of the film, we learn from one of the characters that earthworms can be called to the surface with electricity, but somehow it turns them into vicious flesh-eaters. Sure enough, a storm that night causes some power lines to break and touch the ground, drawing millions of man-eating worms out of the earth, and into town where they quickly start munching on the locals.
In a near future, normal life on Earth has been decimated. Paul and his two sons, Thomas and Joseph, have been living a half-life – tranquility by day and torment by night. Every night, after the sun sets, they face the unrelenting attacks of a mysterious and violent evil. One day, when Thomas doesn’t return home before sundown, Paul must leave the safety of their fortified farm to find him. A nightmarish battle ensues that forces the family to execute a desperate plan to survive.
After escaping with Newt and Hicks from the alien planet, Ripley crash lands on Fiorina 161, a prison planet and host to a correctional facility. Unfortunately, although Newt and Hicks do not survive the crash, a more unwelcome visitor does. The prison does not allow weapons of any kind, and with aid being a long time away, the prisoners must simply survive in any way they can.
Vena Norris and her parents get jobs at Mr. Malatesta’s carnival running a midway games booth. But they are really part of the traveling show circuit under incredibly false pretenses. Vena’s brother disappeared one night while visiting the evil attraction, and his kinfolk are convinced they can discover what happened to him by scamming teenagers out of their allowances. What they do learn is pretty strange indeed.
