Day of the Dead is a horror film which is nominally a quasi-remake of George A. Romero’s classic zombie film of the same name, which was the third in Romero’s Dead series. The film is directed by Steve Miner (who also directed Friday the 13th Part 2 & 3 and Halloween H20: 20 Years Later) and written by Jeffrey Reddick.
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When a mysterious monster rises from the Mekong River and attacked Bueng Kan, cuts off people from the outside world. Officials and people in the area, including Chinese scientists who accidentally came to conduct research in Thailand, all forces must be mobilized to catch this crazy monster before it’s too late.
When Lloyd, a photographer slowly dying of a brain tumor, realises the growth killing him is breathing life into the recently dead, he uses his camera lens as the conduit to reanimation. After discovering a disturbing snuff film of a beautiful naked woman being tortured and murdered, he is compelled to bring her back to life. Enchanted by her grace and charm he resurrects her night after night and gradually falls in love. However, each night Lloyd also unwittingly resurrects her killer… SHAPE.
A violent breakup leaves one man dead and a group of friends dispatched into the desert to dispose of the evidence. Friendships are tested as the group push the boundaries of what can be done in the name of being there for a friend.
Immortals Connor and Duncan Macleod join forces against a man from Connor’s distant past in the highlands of Scotland, Kell, an immensely powerful immortal who leads an army of equally powerful and deadly immortal swordsmen and assassins. No immortal alive has been able to defeat Kell yet, and neither Connor nor Duncan are skilled enough themselves to take him on and live. The two of them eventually come to one inevitable conclusion; one of them must die so that the combined power of both the Highlanders can bring down Kell for good. There can be only one… the question is, who will it be?
An ancient wind carries with it omens of the apocalypse, stirring the pride and envy of a group of college kids to murderous rage. Michael Mongillo’s directorial debut is a lyrical, meditative film charged with sex and violence.
First-time directors Andrew Yorke and Kevin Michael invite you on an experimental cinematic journey through the lives of troubled youth in troubling times. When a pregnant women is found dead in a warehouse, all signs point to suicide. But a freelance journalist gets a tip that an eyewitness with a different story is ready to talk. Yorke and Michael immerse viewers into a world beyond normal youthful indiscretion, one that’s dark and safely self-contained until pressures from mainstream society shatter everything. Videotape is a raw, powerful exploration of the darker side of human nature, with crucial questions screaming to be answered.
A saga centered on a multi-generational family of New York City Police officers. The family’s moral codes are tested when Ray Tierney, investigates a case that reveals an incendiary police corruption scandal involving his own brother-in-law. For Ray, the truth is revelatory, a Pandora’s Box that threatens to upend not only the Tierney legacy but the entire NYPD.
