A criminal holds a wealthy family hostage.
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Two wounded souls commiserate through drinking and aimless wandering while acting out the roles of the happy relationships that elude them in reality. Greta Gerwig and Olly Alexander deliver beautifully-tuned comic performances in their portrayal of young adults learning to cope with the unavoidable perils of emotional dependency.
In Cold War Moscow, a female spy steals secrets from an idealistic politician – and falls in love with him. Moscow, 1959: Katya (Rebecca Ferguson, Mission Impossible- Rogue Nation, The Girl on the Train, The White Queen), is young, beautiful – and a spy for the Americans. When she and Mischa (Oliver Jackson-Cohen, Emerald City), begin spying on Alexander ( Sam Reid, Anonymous), an idealistic Communist politician, the last thing she expects is to fall in love with him. Her choice between love and duty leads to a nail-biting conclusion that Alexander (Charles Dance, The Imitation Game) can only unravel decades later in 1990s New York. His journey back to the snowbound streets of Moscow uncovers a love triangle and betrayals from those he trusted most.
When flaky novelist Mario turns up one day at the school where Daniel teaches, the educator is convinced the writer is a spirit from his repressed past, buried deep in his subconscious. As children, the two might almost have been brothers. But the marriage between Daniel’s father and Mario’s mother never materialised. This unexpected re-encounter brings both families together. When Mario slits his wrists and dies, Daniel and his wife Laura provide a home for the dead man’s daughter. Laura, who is childless, loves the girl from the moment they meet, but Daniel feels increasingly nervous around her. The demons of his past guilt continue to torment him. Daniel suffers agonies – until things come to a head during a show down in the mountains.
BULLY is a new dramatic musical about Sam Bradley, a young man who commits suicide after being repeatedly bullied in school. The story follows Sam in the days leading up to his death, and the lives of those around him following his suicide.
A massive 5 1/2 hour biopic of Napoleon, tracing his career from his schooldays (where a snowball fight is staged like a military campaign), his flight from Corsica, through the French Revolution (where a real storm is intercut with a political storm) and the Terror, culminating in his triumphant invasion of Italy in 1797 (the film stops there because it was intended to be part one of six, but director Abel Gance never raised the money to make the other five). The film’s legendary reputation is due to the astonishing range of techniques that Gance uses to tell his story, culminating in the final twenty-minute triptych sequence, which alternates widescreen panoramas with complex multiple- image montages projected simultaneously on three screens.
Madea’s neighborhood takes a turn for the worse when a foster mother moves in with her unruly kids. Suspicious activity leads Madea to take justice into her own hands. With Aunt Bam by her side, Madea uses her unique wit and wisdom for unforgettable results.
As he copes with the death of his fiancee along with her parents, a young man must figure out what he wants out of life.
Quiz Show is a 1994 American historical drama film which tells the true story of the Twenty One quiz show scandal of the 1950s.
A moving, nostalgic portrait of the men behind the golden age of chanbara (sword-fighting dramas and films) that goes behind the scenes of the distinctive film genre for which Japan is most famous, with dominant performance by real-life kirare-yaku Seizo Fukumoto.
