The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.
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Oscar-nominated film adaptation of the rock opera of the same name, based on the last weeks before the crucifixion of Jesus. The film was directed by Norman Jewison. Ted Neeley and Carl Anderson were nominated for two 1974 Golden Globe Award for their portrayals of Jesus and Judas, respectively.
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San Francisco police officer Frank Connor is in a frantic search for a compatible bone marrow donor for his gravely ill son. There’s only one catch the potential donor is convicted multiple murderer Peter McCabe who sees a trip to the hospital as the perfect opportunity to get what he wants most freedom. With McCabe’s escape, the entire hospital becomes a battleground and Connor must pursue and, ironically, protect the deadly fugitive who is his son’s only hope for survival.
A sleep study goes awry when participants start to go missing.
With Cara leaving on an international book tour in two weeks and Ben’s business expansion keeping him busy, the couple decides they won’t let work commitments postpone their nuptials any longer. With the help of their best friends Megan and Sean, Cara and Ben feel nothing can stop them from having the perfect wedding.
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