No special effects. No stuntmen. No stereotypes. No other feeling comes close. Surfers and secret spots from around the world are profiled in this documentary.

On October 16, 1992, an impressive and eclectic group of artists gathered at Madison Square Garden in New York City for the purpose of celebrating the music of Bob Dylan on the occasion of his 30th anniversary of recording. Bringing together musical greats as far-flung as Johnny Cash and Eddie Vedder, The Clancy Brothers and Lou Reed, the four-hour show celebrated a truly remarkable lifetime of songs in front of a sold-out audience of over 18,000. Warmly dubbed the Bobfest by participant Neil Young, the show was broadcast around the world and featured a cast of musical notables performing carefully chosen and often surprising selections from the incomparable Dylan songbook. At evening’s end, the man of honor himself appeared on stage and gracefully brought it all back home again. In a world where all-star celebrity gatherings have become commonplace, the Bob Dylan celebration stood out as, first and foremost, a legitimately memorable musical event.

A depiction of the last living generation of German participants in Adolf Hitler’s Third Reich.

On-ice enforcers struggle to rise through the professional ranks of the world’s most prestigious hockey league, only to be confronted with a new found fight for the existence of the role itself.

In a California memorabilia shop in 2010, collector Randy Guijarro bought a tintype that looked to be a familiar figure, Billy the Kid – playing croquet with his gang known as The Regulators. As the gravity of the discovery began to set in, Guijarro initiated a chain of events that would lead him on a painstaking journey to verify the photograph’s authenticity.

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Part jazz history, part true-crime tale, Kasper Collin’s new documentary employs extensive archival footage and new interviews to tell the tragic story of the magnificently talented trumpeter Lee Morgan and his common-law wife Helen, who murdered him in a New York bar in 1972.

Documentary about Britain’s greatest satirist Peter Cook, with unprecedented access to his private recordings, diaries, letters, photographs and much more. Following his death, Peter Cook’s widow Lin locked the door of his house and refused all access to the media. Until this year, when she invited her friend Victor Lewis-Smith and a BBC crew inside to make a documentary about the man she knew and loved.

Here comes DEATH’s probing and pulsing rock doc, DEATH BY METAL, pulling back the palm fronds of DEATH’s origins in Altamonte Springs, Florida, and latching a narrative hook into the headstrong Chuck Schuldiner juggernaut for fifteen gratifying if sometimes frustrating years. As the baby steps become giant leaps, the stable of supporting players grows and continually shines in its own devious light.

Bergensbanen is a real time documentary film of the entire journey by rail from Bergen to Oslo in Norway. The journey, lasting almost seven and a half hours, was filmed by cameras on the outside of the train, and is interspersed with interviews, archive footage and music. An alternative cut (the version commonly available on the internet) consists entirely of unbroken phantom ride footage.

The final chapter of his exceptional 15-part documentary exploring the history of cinema, The Story of Film: An Odyssey. Mark Cousins builds a bridge between the “before” of the health crisis, and the “after”.

What happens if a single woman is obliged to bring up a baby without a father in a “modern” city of a conservative country? This autobiographical documentary thoroughly researches social roles of women and intellectualizes social inequality while searching for answers to this question.