Ex is a 2009 film directed and co-written by Fausto Brizzi and interpreted by a rich and large cast of characters. The film, produced by Italian International Film, in co-production with the French company and Mes Films in collaboration with RAI Cinema. It was released February 6, 2009 in Italian cinema and has been recognized as “national cultural interest” by the Directorate General for Cinema of the Ministry of Heritage and Culture.
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An oily, amoral estate agent is preyed upon by one of his victims, who quietly moves into his flat and, unseen, begins a deliciously malicious campaign of revenge.
This was going to be the first year that Marshal Middle School was not going to have a dance team. All that changes when the new Biology teacher, Ms. Bartlett, agrees to be the coach. Now the girls need to prove that they are ready to compete and are able to win; not only to themselves, but to their parents and coach. Using the chant “si, se puede” or “yes, I can” the Dance team builds their confidence to perform.
Albert Nobbs struggles to survive in late 19th century Ireland, where women aren’t encouraged to be independent. Posing as a man, so she can work as a butler in Dublin’s most posh hotel, Albert meets a handsome painter and looks to escape the lie she has been living.
With a duty to deliver every last letter before Christmas, the beloved quartet of post office detectives—Oliver, Shane, Rita and Norman—are working around the clock to redirect Santa’s mail just as Oliver runs into his former Sunday school teacher. When they receive an emotional last-minute plea not meant for Saint Nick, but instead written to God, they must delay their own travel plans to make sure one little girl doesn’t lose her Christmas joy—something Oliver and Shane are also struggling to find as they each face painful holiday memories. With a little guidance from a mysterious post office volunteer, Jordan, the Postables are more surprised than anyone to discover they’ve been a part of more than one miracle on this Christmas Eve.
If Bugs Bunny were to direct his signature inquiry–“What’s up, doc?”–toward the modern-day Warner Bros. creative team, he wouldn’t be far off. For 1001 Rabbit Tales, they’ve doctored up a batch of classic cartoons featuring the carrot muncher and his bumbling comrades and bundled them, near seamlessly, into a feature-length film. Here’s the premise: Bugs and Daffy, both book salesmen, are competing to sell the most copies of a kids’ book. Instead of burrowing a beeline to his sales territory (he should have made a left at Albuquerque), Bugs ends up in the castle of Yosemite Sam, here a harem-leading honcho. Sam’s pain-in-the-spurs son, Prince Abalaba, needs somebody to read him stories; Bugs, who’d sooner take the job than suffer the alternative, that involving being boiled in oil, signs on.
Hope is tasked with teaching Manhattan’s former “Most Eligible Bachelor” how to dance for his extravagant, society wedding. But as the dance lessons progress, complications ensue when feelings begin to develop between student and instructor.
A group of animals waiting for the annual flood they rely on for food and water discover that the humans, who have been destroying their habitats have built a dam for a leisure resort. The animals endeavour to save the delta and send a message to the humans not to interfere with nature.
An “underground” cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.
Returning from a hunting trip in the forest, the Henderson family’s car hits an animal in the road. At first they fear it was a man, but when they examine the “body” they find it’s a “bigfoot”. They think it’s dead so they decide to take it home (there could be some money in this). As you guessed, it isn’t dead. Far from being the ferocious monster they fear “Harry” to be, he’s a friendly giant.
A smart finger movie about adult rated romance between young men and women who have total control over SNS.