A young woman, recently released from a mental hospital, gets a job as a secretary to a demanding lawyer, where their employer-employee relationship turns into a sexual, sadomasochistic one.

In the panicky, uncertain hours before his wedding, a groom with prenuptial jitters and his two best friends reminisce about growing up together in the middle-class African-American neighborhood of Inglewood, California. Flashing back to the twenty-something trio’s childhood exploits, the memories capture the mood and nostalgia of the ’80s era.

A vampire relates his epic life story of love, betrayal, loneliness, and dark hunger to an over-curious reporter.

Surrounded by fans and skeptics, grizzled director J.J. “Jake” Hannaford returns from years abroad in Europe to a changed Hollywood, where he attempts to make his innovative comeback film.

A lawyer takes on a case of a prison guard in South Africa who is traumatized by the executions he’s witnessed.

A married Spanish woman named Bluebird attempts to hike the entire Appalachian Trail solo in order to find clarity, but her solitude is interrupted by a young American hiker. The pair develop an emotional and romantic connection while traveling together, but Bluebird ultimately must face the trail and her own feelings alone.

Transfer student Mizuki Aonuma (Rina Sakuragi) is bullied mercilessly by classmate Aya (Eriko Nakamura) and others. Nevertheless, Mizuki is always able to maintain her calm composure. Kirie (Maika Shimamura), who has a passive character and is also bullied, becomes interested in Mizuki and longs for her. The two become close. With a guy named Shibanai (Syun Asada), Mizuki and Kirie decide to stand up to their tormentors. Mizuki though is badly beaten by Aya. Kirie and Shibanai are assaulted by teachers and endure shocking violence. Mizuki decides to get revenge. She wanders the street at night. At that time, Mizuki becomes possessed by a poisonous flower spirit. Madness of the flower spirit begins.

Set in the British seaside, Beautiful in the Morning is a coming of age story about Marielle, a girl who reconnects with the women in her family over a summer, only for them to be torn apart by the arrival of an intrusive stranger.

The King of Denmark is dead. Prince Hamlet is summoned home to Denmark to attend his father’s funeral, only to discover Denmark has crowned Hamlet’s Uncle the new King and his Mother is his new Queen.

The story of Steve Jobs’ ascension from college dropout into one of the most revered creative entrepreneurs of the 20th century.

A big new home, a lovely wife and a new job seem to steer Henrik firmly towards the middle age and a bourgeois lifestyle. There is, however, a substantial amount of boyish prankster still in him – sometimes a little bit too much. Director Martin Lund’s understated, offbeat humour often evokes Bent Hamer’s delightful studies of lone males (O’Horten, Kitchen Stories)

One hot afternoon in the south of France, several paths are converging towards a tragic conclusion. Those involved are: Stéphane and Luigi, two cousins who have just emerged from adolescence; Georges, a retired old man; Amélie, Luigi’s girlfriend; and Amélie’s mother Anne. Little do they know how their lives, scarred by fear, humiliation and weariness, will become intertwined and propel them to a terrible outcome…