A French man spies on a lovely younger woman across the way. When he’s spotted by the woman shortly after being questioned by the police about a local murder, the man’s simple life becomes more complicated.

A wealthy developer tries to remove settlers from his newly acquired land, which leads to dire consequences.

This is the story of three gentle persons: Paul Rivers an ailing mathematician lovelessly married to an English émigré, Christina Peck, an upper-middle-class suburban housewife, happily married and mother of two little girls, and Jack Jordan, an ex-convict who has found in his Christian faith the strength to raise a family. They will be brought together by a terrible accident that will change their lives. By the final frame, none of them will be the same as they will learn harsh truths about love, faith, courage, desire and guilt, and how chance can change our worlds irretrievably, forever.

In 1950s Connecticut, a housewife faces a marital crisis and mounting racial tensions in the outside world.

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Trick is among five hostages trapped together, paralyzed from the neck down. While an FBI agent and former detective race against the clock to find their location, the group tries to figure a way out before their promised execution.

After colliding with a pedestrian on her bicycle who loses his memory following the accident, Darcy Archer becomes determined to help the handsome guy figure out who he is. In the process, she finds out a lot more about who she is, what she wants from life, and how this too-good-to-be-true guy might just be the man she’s been waiting to bump into all her life.

Do You Like My Basement? tracks how one man’s creative frustration bore a need to make the perfect horror film. Stanley Farmer was rejected universally by the film world. His frustration provoked a darker side and soon cunning, guile, devilish charm and a sociopath’s streak compelled him to produce a home-made magnum opus. A film that blurs the lines between reality and fiction and demands the attention of the very world that spurned him.

Loner Diane Ford is a truck driver with an 11-year-old son, Peter, whom she never sees, and that’s fine with her. But, when Peter’s father, Len, falls ill, he asks Diane to take care of their son for a while. Eventually, Diane reluctantly agrees, but she quickly realizes that caring for a child interferes with her independent lifestyle – and Peter isn’t all that thrilled with the arrangement, either.

Melody, high powered corporate workaholic for a retail conglomerate, is happy to spend the holidays jet-setting with her girlfriends. However, she’s in for an unpleasant surprise when her boss sends her to her sleepy hometown to convince the reluctant townspeople to allow them to build a new discount store. Now, forced to reconnect with her family and her childhood sweetheart Carter, her task is not so simple, as all are vehemently opposed to everything Melody’s company stands for. Desperate to get out of town and back to her real life, Melody takes a spill and wakes up in an alternate universe where she never left home and is married to Carter! Once determined to leave her small town life behind, Melody must make sense of her new life and decide if you truly can go home again. – Written by ABC

Two estranged brothers reunite at their childhood home in the Alaskan wild. They set out on a two-day hike and are stalked by an unrelenting grizzly bear.

In the week that follows Princess Diana’s tragic death on 31 August 1997, four separate stories unfold as four ordinary lives are all affected in different ways in this commemorative drama from writer Jeremy Brock and director Peter Cattaneo.