I’ll Take Your Dead follows William who has a simple job, he makes dead bodies disappear. This isn’t something he likes to or even wants to do, but through circumstances out of his control, his little farm house in the country has become a dumping ground for the casualties of the gang related murders in the nearby city. His daughter Gloria has become used to rough looking men dropping off corpses and is even convinced that some of them are haunting their house. After a woman’s body, is dumped at the house, William begins his meticulous process when he realizes, she’s not actually dead. As the gang activity increases, William patches the woman up and holds her against her will until he can figure out what to do with her. As they begin to develop a very unusual respect for each other, the woman’s murderers get word that she’s still alive and make plan to go finish what they started.
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In this remake of the 1933 classic about the giant ape, an oil company expedition disturbs the peace of Kong and brings him back to New York to exploit him. Even though a woman somewhat tames Kong, he finally breaks loose and terrorizes the city, and as the military attempt to stop him, he falls to his death from the top of the World Trade Center.
20 years after three teenagers disappeared in the wake of mysterious lights appearing above Phoenix, Arizona, unseen footage from that night has been discovered, chronicling the final hours of their fateful expedition.
The family man farmer John Rollins is stressed with his financial situation: the crows and the lack of irrigation are destroying his crop of corn; the bank is near closure of his mortgage; he does not have credit to fix the water pump or to buy seeds; and his marriage is in crisis and his wife Mary is giving too much attention to her friend Tommy. When John accidentally discovers a hidden compartment in the barn, he finds a creepy scarecrow but his son Michael makes him promise to destroy it. However, his neighbor Jude Weatherby visits him, gives a six-pack of beer to the abstemious John and convinces him to put the scarecrow in the cornfield. Out of the blue, the life of John changes: the crows die; the pump works again irrigating the land; and the banker responsible for the closure has an accident and dies. However, he feels that his land is possessed by something evil that is threatening his beloved family.
The overnight stock crew of a local supermarket find themselves being stalked and slashed by a mysterious maniac.
Christine (Jennifer Holland) and Reagan (Kate Plec) are a pair of young women who get to know each other when they end up sharing a dorm room in college. Christine is a studious type who is still getting over a family tragedy, while Reagan never lets her classes get in the way of a good time. Convinced Christine needs to get out more, Reagan persuades her to tag along as she attends a wild party at the Beta Alpha Tau sorority house. Both Christine and Reagan are impressed with the BAT house, and in particular, chapter president Devin (Michelle Borth), and they are soon invited to join. However, Ms. Masters (Barbara Crampton), who teaches a class on the paranormal, believes that the BAT house is the center of supernatural activity on campus, and urges Christine to inform her of the goings-on at the house. It isn’t long before Christine finds out that Ms. Masters’ fears were based in fact, but can she tear herself away from the decadent pleasures sorority life has brought to her?
A rock singer makes a deal with a mysterious doctor who promises to return his voice with horrifying consequences.
The Amityville legend lives on when a resident of a local boarding house dies under mysterious circumstances. Her two best friends, Brigitta and Bermuda, Bermuda’s sister Sentinel, and the owner of the boarding house, Ms. Ernie, are absolutely devastated. This is not helped by the arrival of an eccentric and crude detective who never takes off his cowboy outfit, Hank Denton. Tensions run high as the girls begin to suspect their friend Margaret may still be alive; and as the detective’s behavior becomes more out of control, the house itself may very well be turning on it’s residents.
SCARS is a psychological thriller, written and directed by Canadian filmmaker Sean K. Robb. In this stark and disturbing story, Scar – a raven-haired punk with blood under her fingernails – and Scarlett – a blond beauty with a penchant for extortion – discover that they enjoy killing men together. ‘Killing dudes is easy,’ says Scar, as the two women embark on a violent and ruthless killing spree, pursued by the mysterious Det. Mike.
