Recovering from a heartbreaking divorce, independent filmmaker and son-of-an-Italian-Prince Tao Ruspoli takes to the road to talk to his relatives, advice columnists, psychologists, historians, anthropologists, artists, philosophers, sex workers, sex therapists, and ordinary couples about love, sex & monogamy in our culture. What he discovers about his very unconventional family, and about the history and psychology of love and marriage leads him to question the ideal of monogamy, and the traditional family values that go with it.

Taking more than six years to complete, The Cut is a feature-length documentary that conclusively proves that female genital mutilation or cutting (FGM) can be found as a native practice on all inhabitable continents. From war zones in the Middle-East to bucolic Middle America, the film visits 14 countries and features key interviews with FGM survivors, activists, cutters, doctors and researchers to uncover an often secret practice shrouded in centuries of traditions, mysticisms and irrationalities.

An undaunted look into the cam business from performers and clients to website and studio owners.

Directed by two-time Grammy nominee D. Smith, KOKOMO CITY takes up a seemingly simple mantle — to present the stories of four Black transgender sex workers in New York and Georgia. Shot in striking black and white, the boldness of the facts of these women’s lives and the earthquaking frankness they share complicate this enterprise, colliding the everyday with cutting social commentary and the excavation of long-dormant truths. Accessible for any audience, unfiltered, unabashed, and unapologetic, Smith and her subjects smash the trendy standard for authenticity, offering a refreshing rawness and vulnerability unconcerned with purity and politeness.

A glittery nightclub in 1920s Berlin becomes a haven for the queer community in this documentary exploring the freedoms lost amid Hitlerandapos;s rise to power.

Lisa Immordino Vreeland directs this documentary about Academy Award-winning costume designer Cecil Beaton. A respected photographer, artist, and set designer, Beaton was best known for designing on award-winning films such as ‘Gigi’ (1958) and ‘My Fair Lady’ (1964). The film features archive footage and interviews with a number of models, artists, and filmmakers who worked closely with Beaton during his illustrious career.

Jean-Luc Godard brings his firebrand political cinema to the UK, exploring the revolutionary signals in late ’60s British society. Constructed as a montage of various disconnected political acts (in line with Godard’s then appropriation of Soviet director Dziga Vertov’s agitprop techniques), it combines a diverse range of footage, from students discussing The Beatles to the production line at the MG factory in Oxfordshire, burnished with onscreen political sloganeering.

In this documentary, Wendy Williams, the self-anointed Queen of all Media, sheds her private persona and speaks directly to the camera, discussing every inch of joy and humiliation she has experienced since childhood.

Through outrageous, never-before-seen footage, witness the making of the Jackass crew’s last go at wild stunts.

The untold story of the summer of 2003 at Baylor University that exposes the attempted cover-up, and the corruption that became the most bizarre scandal in college sports history.

Serial Killer Culture examines the reasons why artists and collectors are fascinated by serial killers.

There was a time, as recently as the 1980s, when storefronts, murals, banners, barn signs, billboards and even street signs were all hand-lettered with brush and paint. Today, the proliferation of computer-designed, die-cut vinyl lettering and inkjet printers has ushered a creeping sameness into our landscape. Fortunately, there is a growing trend to seek out traditional sign painters and a renaissance in the trade. SIGN PAINTERS is a history of the craft and features the stories of more than two dozen sign painters working in cities throughout the United States.