Kaveh and Raul are two b-movie co-writers who have suffered a bitter falling out. Kaveh’s lost his girlfriend, and spends his days getting high in his apartment, while Raul is off studying at Columbia University. But when one of their films (“Islama-rama 2”) is accepted by a film festival, the two ex-friends are forced to tentatively re-connect in order to pitch their script to the mysterious producer, Yukio Tai (James Hong). Along the way, they will have to brave brutish bodyguards, cutthroat colleagues, inept agents, romantic entanglements, prima donna actors, and the trials of their own bitter friendship.
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The film follows Xu Lai, a former artist whose dreams were dashed when the responsibilities of life set in. With his life now revolving around his wife Cai Bo who is obsessed with having children, the quirks of his eccentric family and his mediocre, ordinary existence, Xu Lai hopes to reconnect with his first love Yang YIi on an upcoming vacation. However, his hopes are dashed when he finds himself wrapped up in a murder investigation that proves truth is often stranger than fiction.
After a man’s promising romance ends in disaster, his five buddies come to cheer him up, only for past gripes to foul up their good intentions.
Emma, who writes stories for children, wakes up in her thirties without a partner or stable work. In the midst of the chaos in which her life has become, her best friend Lola announces that she has become pregnant and asks her to be the godmother of her first baby
On the sidewalks of the London theater district the buskers (street performers) earn enough coins for a cheap room. Charles, who recites dramatic monologues, sees that a young pickpocket, Libby, also has a talent for dancing and adds her to his act. Harley, the theater patron who never knew Libby took his gold cigarette case, is impressed by Libby’s dancing and invites her to bring Charles and the other buskers in his group to an after-the-play party. Libby comes alone. A theatrical career is launched.
When El, an aspiring sneaker designer from Queens, meets Kira King, the fiercely independent daughter of legendary basketball star and sneaker tycoon Darius King, sparks fly as the two bond over their mutual affinity for sneakers. With a little nudge from his best friend and a sprinkle of Fairy Godfather magic, El finds the courage to use his talent to pursue his dream of becoming a ‘legit’ sneaker designer in the industry.
Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.
A rugged city editor (Clark Gable) poses as a journalism student and flirts with the professor (Doris Day).
A comedy-adventure in which three twelve-year-olds have a close encounter with a 3,000-year-old mummy. Marshall, Gilbert and Amy accidentally set the mummy free, but if they don’t get him back to his resting place by midnight on Halloween, he’ll turn into dust and lose his only chance of being reunited with his long-lost love.
Sardu runs the theatre of the macabre. Sardu is into S&M. Sardu likes to kill people in public and make them think it’s fake.
Angela Barrows is a man-eating business woman sent by her American employer to investigate their export opportunities in Edinburgh. En route she meets Robert MacPherson a businessman who asks for her help to bring his company into the 20th Century. The staff, led by Mr Martin has other ideas though, and a battle between the old and new business methods soon breaks out.
