Jessica, a Jewish copy editor living and working in New York City, is plagued by failed blind dates with men, and decides to answer a newspaper’s personal advertisement. The advertisement has been placed by ‘lesbian-curious’ Helen Cooper, a thirtysomething art gallerist.
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In DISASTER MOVIE, the filmmaking team behind the hits “Scary Movie,” “Date Movie,” “Epic Movie” and “Meet The Spartans” this time puts its unique, inimitable stamp on one of the biggest and most bloated movie genres of all time — the disaster film.
A marriage. A re-marriage. A pending divorce. It’s been five years since Kukoo and Nainaa got married after knowing each other practically all their lives, and now they need to break it to their family that they want a divorce. Kukoo’s parents, Bheem and Geeta, a couple that everyone looks up to, have no plans of making Kukoo and Naina’s lives easier. They have their own plans and set of surprises in store for the young couple; all this in the middle of Kukoo’s sister’s wedding.
Lissa, a twenty-year-old girl trapped in rural Pennsylvania, grapples with sex, drugs, love and loss. When a possible pregnancy forces her to take a hard look at her life, both her and the structure of the film mature, illuminating a brighter path ahead.
Directed by Martin Davidson and Stephen Verona, The Lords of Flatbush is a low budget film starring Perry King, Henry Winkler and Sylvester Stallone (who also wrote additional dialog). Set in the late 1950s, the coming-of-age story follows four Brooklyn teenagers known as The Lords of Flatbush. The Lords chase girls, steal cars, play pool and hang out at a local malt shop. The film focuses on Chico (King) attempting to win over Jane (Susan Blakely), a girl who wants little to do with him, and Stanley (Stallone), who impregnates his girlfriend Frannie, who wants him to marry her.
At Mr. Rad’s Warehouse, the best hip-hop crews in Los Angeles compete for money and respect. But when a suburban crew crashes the party, stealing their dancers – and their moves – two warring friends have to pull together to represent the street. Starring hip-hop sensations Marques Houston, Omari Grandberry, Lil’ Kim and comedian Steve Harvey.
Three men, Vijay, Siddharth, and Aashiq, travel to Kochi with their own sets of problems, where they meet a mysterious man, Scobo Johns, who proves to be a turning point in their lives.
Follows a couple through their completely different journeys in Thailand and simultaneously reveals their past in New York through flash backs.
There are many things in life that could do a number on a man’s masculinity. Lenny Babbitt has his identity and manhood challenged when his wife Tracy leaves him for a female doctor named Iris who has been treating their autistic son Isaac. After losing his job, and wife to a woman no less — Lenny’s dad Jack offers him a job at his pawn shop where he must re-examine his identity, manhood and sense of self after meeting Chelsea, a young, free-spirited pistol that lives life on two wheels. In the end, Lenny realizes that there are no absolutes… only one’s faith, sense of self and family — no matter how it’s constituted or defined by society.
Paul (Macfadyen), a prize-winning war journalist, returns to his remote New Zealand hometown due to the death of his father, battle-scarred and world-weary. For the discontented sixteen-year-old Celia (Barclay) he opens up a world she has only dreamed of. She actively pursues a friendship with him, fascinated by his cynicism and experience of the world beyond her small-town existence. But many, including the members of both their families (Otto, Moy), frown upon the friendship and when Celia goes missing, Paul becomes the increasingly loathed and persecuted prime suspect in her disappearance. As the violent and urgent truth gradually emerges, Paul is forced to confront the family tragedy and betrayal that he ran from as a youth, and to face the grievous consequences of silence and secrecy that has surrounded his entire adult life.
