McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.

With this publication experience the mysterious mythology of Egypt and be up close during an excavation “live” there. Uncover together with the research team an untouched for centuries tomb and fumble your way bit by bit through her secret with unique 3D shooting.

Going deeper than fine fabrics and silk linings, Suited takes a modern, evolved look at gender through the conduit of clothing and elucidates the private and emotional experience surrounding it. With heart and optimism, the film documents a cultural shift that is creating a new demand—and response—for each person’s right to go out into the world with confidence.

Pulp found fame on the world stage in the 1990s with anthems including ‘Common People’ and ‘Disco 2000’. 25 years (and 10 million album sales) later, they return to Sheffield for their last UK concert. Giving a career-best performance exclusive to the film, the band members share their thoughts on fame, love, mortality — & car maintenance. Director Florian Habicht (Love Story) weaves together the band’s personal offerings with dream-like specially-staged tableaux featuring ordinary people recruited on the streets of Sheffield. Pulp is a music film like no other — by turns funny, moving, life-affirming & (occasionally) bewildering.

The film is a stark and graphic portrayal of the conditions that existed at the State Prison for the Criminally Insane at Bridgewater, Massachusetts. TITICUT FOLLIES documents the various ways the inmates are treated by the guards, social workers and psychiatrists.

A film director confides in his interlocutor. He talks about the working process, about creative blocks, about artistic crises and expressive forces. At some point, the idea takes hold that this conversation could be turned into a film. And this is the very film we’re watching the two of them in.

A three year self-described labour of love, 2040 takes the form of a visual letter from the filmmaker to his four-year-old daughter Velvet, showing her what the year 2040 could look like “if we simply embraced the best solutions that exist today.”

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“The Principle” brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions – the Copernican Revolution and Relativity – and, as Lawrence Krauss has said, we could be on the verge of a third, with “Copernicus coming back to haunt us”. Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.

The triumphs and challenges of Negro League baseball in the early 20th century. Through rare footage and interviews with iconic players like Satchel Paige and Buck O’Neil, as well as Hall of Famers Willie Mays and Hank Aaron, the film highlights the league’s pivotal role in Black communities and the impact of integration.

During World War II, a hand-picked group of American GI’s undertook a bizarre mission: create a traveling road show of deception on the battlefields of Europe, with the German Army as their audience. The 23rd Headquarters Special Troops used inflatable rubber tanks, sound trucks, and dazzling performance art to bluff the enemy again and again, often right along the front lines. Many of the men picked to carry out these dangerous deception missions were artists. Some went on to become famous, including fashion designer Bill Blass. In their spare time, they painted and sketched their way across Europe, creating a unique and moving visual record of their war. Their secret mission was kept hushed up for nearly 50 years after the war’s end.

Maths teacher Ted Slauson became adept at recording and memorizing prices of products featured on the iconic game show The Price is Right, an obsession dating back to the show’s inception in 1972. This passion and dedication for the show culminated in him helping a contestant place a perfect bid during a 2008 showcase, an innocent act that would create one of the biggest controversies in television industry history.