Andreas and Stefan lead a happy and passionate life: Together with their beloved tomcat Moses, they live in a beautiful old house in Vienna’s vineyards. They work as a musician and as a scheduler in the same orchestra and they love their large circle of friends. An unexpected and inexplicable outburst of violence suddenly shakes up the relationship and calls everything into question – the blind spot that resides in all of us.

Jessica Clement stars with Nick Stahl in a furtive 90’s set drama about young Carly and her love affair with her best friend’s Dad.

Pulling his girlfriend Allison (Jennifer Seward) into the whirlwind of his ambitions, Trent (Kyle Dyck) is desperately on the run from contracted hitmen Henry (Brian Paulette) and Tim (Davis DeRock) as he slips into the deep, desolate backroads that criss-cross the empty rolling plains. Along the way Trent stumbles upon Ben (Jeffrey Staab), a nomadic drifter who now calls these roads “home,” along-side his wife Michelle (Christie Courville) as they wander in the vast openness that is the Flint Hills.

An idealistic, modern-day cowboy struggles to keep his Wild West show afloat in the face of hard luck and waning interest.

In this modern take on Charles Dickens’ “A Christmas Carol,” Frank Cross (Bill Murray) is a wildly successful television executive whose cold ambition and curmudgeonly nature has driven away the love of his life, Claire Phillips (Karen Allen). But after firing a staff member, Eliot Loudermilk (Bobcat Goldthwait), on Christmas Eve, Frank is visited by a series of ghosts who give him a chance to re-evaluate his actions and right the wrongs of his past.

Karen, an insomniac, becomes addicted to eerie, disturbing videos of people sleeping. As she indulges, her life spirals out of control.

Three filmmakers receive an unsettling postcard from an estranged friend living in a secluded commune. The filmmakers take their cameras into the wilderness of Montana to document the mysterious inner workings of the group. On their disconcerting road to self-sufficiency, witnessing something more shocking than they ever imagined.

Besieged by writer’s block and the crushing breakup with Tessa, Hardin travels to Portugal in search of a woman he wronged in the past – and to find himself. Hoping to win back Tessa, he realizes he needs to change his ways before he can make the ultimate commitment.

Returning to themes he first explored in La strada (1954), Fellini crafts a parable on the whisperings of the soul that only madmen and vagabonds are capable of hearing. The odd couple, Ivo Salvini (Benigni), a fake inspector of wells, and Gonnella (Villaggio), a former prefect, wander through the Emilia-Romagna countryside of Fellini’s childhood and discover a dystopia of television commercials, fascism, beauty pageants, rock music, Catholicism, and pagan ritual.

During the trial of a man accused of his father’s murder, a lone juror takes a stand against the guilty verdict handed down by the others as a result of their preconceptions and prejudices. The film is adapted by Reginald Rose from his own 1957 film version (directed by Sidney Lumet) and from the Westinghouse One television production that predated it. George C. Scott won a Golden Globe for his supporting role; righteous juror Jack Lemmon was denied such an honor for Best Actor, but recipient Ving Rhames (for Don King) dedicated his award to Lemmon.

Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Dr. Maxwell is called in to investigate the kidnapping of a prize race horse. When the case leads to murder, Maxwell and Detective Bryant suspect the horse’s owner.