A stranger in the increasingly strange city of San Francisco, Japanese crime novelist Aki is unsure of precisely what role she has to play in a real-life murder mystery involving ambiguous MacGuffins and amorphous identities. Unfolding in lonely places such as bookshops and hotel bars, Dave Boyle’s moody thriller uncovers exhilarating new takes on genre conventions. Consequently, it’s an alluring l’homme fatal who supplies Aki with the breadcrumb trail of clues that entices her into a labyrinthine plot of sinister dealings. In turn, the aging sheriff (veteran character actor Pepe Serna, fantastic in a rare leading role), who should rightfully be riding to her rescue, proves to be equally out of his depth. The game is afoot, the chase is exhilarating and the stakes are perilously high in this inspired neo-noir.
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Edyta is forty and in the midst of a crisis. She has left her family, her husband and son and their house on the Baltic Sea behind her. She spends her nights in a Warsaw hotel room and her days driving around the unfamiliar city. When she runs out of cash, she hatches a plan: An ad in the newspaper – sex for money. Edyta never lets things get that far though, as she drugs her clients and then uses their apartments as a refuge for the night. Then she meets an artist, Patryk. A smidgen of luck and Edyta can no longer maintain her dismissive attitude. In this enthralling character study, Tomasz Wasilewski uses filmic minimalism to ensure that glances and gestures say more than words. He portrays a lonely woman in both fragility and strength, using precise image composition.
Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad’s wife and their baby.
Sir Charles Baskerville dies on the moor under mysterious circumstances and rumors abound about a demonic hound. When the American heir arrives to take charge, a family friend calls in Holmes and Watson to get to the heart of the mystery.
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Two powerful, yet deeply troubled women — refugees from political and personal trauma — flee a past that haunts them. The daughter of a murdered Black Panther revolutionary, Tess, (Hamilton) lives off the grid on a Sonoma vineyard, fiercely detached from all connections. Her hermetic life cracks when she gives reluctant shelter to a desperate young woman, Anna (Rabe) who has attempted suicide in a nearby forest. An unlikely alliance forms between the two, where other close relationships have failed — David, Anna’s husband, (Linklater) and John, Tess’ employer (Weber), cannot break through their walls. But the very difference between the two women opens them up to a new vision of themselves, as not only survivors, but as heroes capable even of a thrilling shoot-out in the name of outlaw justice. Reclaiming freedom, and life, they plunge forward, towards an unknown, transformative horizon.
Jess, a concert violinist whose heart just isn’t in it anymore, goes to Vienna for a performance. While there, she finds the inspiration she has been missing, and a new love.
