McLibel is a documentary film directed by Franny Armstrong for Spanner Films about the McLibel case. The film was first completed, as a 52 minute television version, in 1997, after the conclusion of the original McLibel trial. It was then re-edited to 85 minute feature length in 2005, after the McLibel defendants took their case to the European Court of Human Rights.
You May Also Like
A look at the history of the American comedy publication and production company, National Lampoon, from its beginning in the 1970s to 2010, featuring rare and never before seen footage, this is the mind boggling story of The National Lampoon from its subversive and electrifying beginnings, to rebirth as an unlikely Hollywood heavyweight, and beyond. A humour empire like no other, the impact of the magazines irreverent, often shocking, sensibility was nothing short of seismic: this is an institution whose (drunk stoned brilliant) alumni left their fingerprints all over popular culture. Both insanely great and breathtakingly innovative, The National Lampoon created the foundation of modern comic sensibility by setting the bar in comedy impossibly high.
“My new feature length documentary Breadcrumb Trail is about Slint and the Louisville music culture they emerged from. It includes footage going back to the early 1990s that I shot when repeatedly driving up from Athens, GA to Louisville to try to chase rumors of what they guys were up to. Over the years I tracked down more stories about them, then began filming interviews with each of the band members and their contemporaries. We also unearthed some unseen/uncirculated footage from their few live performances as well as the writing and arranging of Spiderland.”
No Greater Love explores a combat deployment through the eyes of an Army chaplain, as he and his men fight their way through a hellish tour in one of the most dangerous places in Afghanistan and then as they struggle to reintegrate home.
In this sometimes disturbing documentary, the drugs and alcohol problems of the American working class are studied from the perspective of an Irish redneck.
An unemployed American worker, a Tea Party activist, and a Chinese solar entrepreneur. But who wins and who loses the battle for power in the 21st century? Through interwoven character dramas spanning the U.S. and China, Catching the Sun explores the global economic race to lead the clean energy future.
A visionary, innovator, and originator who defied categorization and embodied the word cool—a foray into the life and career of musical and cultural icon Miles Davis.
A look at how a child abuse case engulfed a California beach community in 1983 and became a modern-day witch hunt.
Tells the story of Justin Bieber, the kid from Canada with the hair, the smile and the voice: It chronicles his unprecedented rise to fame, all the way from busking in the streets of Stratford, Canada to putting videos on YouTube to selling out Madison Square Garden in New York as the headline act during the My World Tour from 2010. It features Usher, Scooter Braun, Ludacris, Sean Kingston, Antonio “L.A.” Reid, Boyz II Men, Miley Cyrus, Jaden Smith, Justin’s family members and parts of his crew and huge fanbase in a mix of interviews and guest performances. It was released in 3D in theaters all around the world and is the highest grossing concert movie of all time, beating the previous record held by Michael Jackson’s This Is It from 2009.
Fifty years after its release, the special effects makeup team behind Planet of the Apes reflect on making the iconic film.
Through a series of interviews, ‘So Which Band Is Your Boyfriend In’ takes a look at gender in the UK’s DIY and underground music scenes.
‘Rise of the Sufferfests’ is the first feature documentary about the global obstacle race phenomenon.
Once the thriving capital of Imperial China, the city of Datong now lies in near ruins. Not only is it the most polluted city in the country, it is also crippled by decrepit infrastructure and even shakier economic prospects. But Mayor Geng Tanbo plans to change all that, announcing a bold, new plan to return Datong to its former glory, the cultural haven it was some 1,600 years ago. Such declarations, however, come at a devastatingly high cost. Thousands of homes are to be bulldozed, and a half-million of its residents (30 percent of Datong’s total population) will be relocated under his watch. Whether he succeeds depends entirely on his ability to calm swarms of furious workers and an increasingly perturbed ruling elite. The Chinese Mayor captures, with remarkable access, a man and, by extension, a country leaping frantically into an increasingly unstable future.
