The close-knit community of Brackenmore is harboring a secret. After the untimely death of an uncle she never knew she had, Kate (Sophie Hopkins) is forced to return to her ancestral home, a tiny rural village in the South of Ireland. Soon after her arrival she meets Tom (D.J. McGrath), a mysterious young local who helps her to rediscover her long-neglected roots and forget about the anxieties of her life in London. The longer Kate stays in Brackenmore, the more she begins to realize that the eccentricities of its self-protective residents, may be more ominous than she first thought and the secluded family estate is harboring a dark and ancient secret. From the opening scenes of a fateful car crash to the shocking ending Brackenmore weaves its ways under your skin shifting between classic horror to the mysteries of the occult. Cinematographer Justin McCarthy keeps a steady hand as he captures the silent fear that begins to grow as Hopkins uncovers the dark horror that is Brackenmore.

Seduced by the instant rewards of criminal activity, LEO ROBERTS (Anthony Welsh) enters the shadowy underground world of strip clubs, saunas, drugs and prostitution. Blinded by the potential power and prestige, Leo is convinced he is in control, only to realise that he has to start playing by a different set of rules. The rules set by crime boss ILIR DUKA (Mem Ferda). Leo’s chosen path, soon spirals out of control, where the stakes keep getting higher and higher, until there is no turning back.

An American writer moves to Paris to be closer to his daughter and finds himself falling immediately on hard times.

Thad Beaumont is the author of a highly successful series of violent pulp thrillers written under the pseudonym of ‘George Stark’, but when he decides to ‘kill-off’ his alter-ego in a mock ceremony, it precipitates a string of sadistic murders matching those in his pulp novels, which are soon discovered to be the work of Stark himself. Looking like a maniacal version of his counterpart, Stark is not so willing to quit the writing game – even if it means coming after Thad’s wife and their baby.

A weekend camping trip turns into a fight for survival.

Two physicians, one old and one young, fall in love with the same woman, Juliette, a quixotic hairdresser. First, she is with Raoul, the older one; then passion for Clément, the younger doctor, takes over. Raoul fights back, playing on Clément’s guilt and Juliette’s lack of self-assurance; then, Clément makes his case to Juliette, abandons his fiancée, and takes her to the provinces where he sets up practice and asks her to have a baby. She panics and abruptly leaves Clément, taking up with Raoul again. When she contracts Hodgkin’s disease and the treatment does no good, Raoul believes she has the malady of love. Is there a cure?

Based on a true kidnapping event, Carlo Sandoval was kidnapped instead of his sister.

On a business trip to Nashville, Brennan finds himself reunited with the “Girl” who had previously broken his heart. Now, for one weekend in the city’s music scene, a past and present romance will be reborn and challenged.

In real life, Kwon Yoo is unemployed, but in the virtual game world he is the best leader. Kwon Yoo is then framed for a murder. With the help of hacker Yeo-Wool, he tries to uncover the truth behind the murder case.

A man is torn between two women and his own violent self, born of child abuse.

Over the course of one torturous night, a suicidal woman and the violent home intruder that saved her life test the limits of human endurance and the boundaries of forgiveness.

The story of a Pakhtun girl who returns from Canada to attend her cousin’s wedding in Swat, Pakistan and falls in love.