Nightmares of the past haunt the beautiful, mysterious Olivia (Suzanna Love), a London resident who begins a passionate affair with American businessman Mike (Easy Rider’s Robert Walker, Jr.). Trapped in a loveless marriage and traumatized by memories of her mother’s brutal murder, Olivia hopes her lover will offer a chance at a new life. However, ghostly voices and brutal murders ignite a fiendish, twist-filled story of double identities, deception, and erotic terror.
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Looking for work, Aaron comes across a cryptic online ad: “$1,000 for the day. Filming service. Discretion is appreciated.” Low on cash and full of naiveté, he decides to go for it. He drives to a cabin in a remote mountain town where he meets Josef, his cinematic subject for the day. Josef is sincere and the project seems heartfelt, so Aaron begins to film. But as the day goes on, it becomes clear that Josef is not who he says, and his intentions are not at all pure.
As midnight falls, all manner of terror invades the Earth. demons, cannibals, killers, ghosts and monsters swarm the world in these tales of the supernatural, the fantastic, and the just plain horrific. Featuring nine stories of horror.
The film is composed of multiple comedy shorts presented through an overarching segment titled “The Pitch”, in which Charlie Wessler, a mad screenwriter, is attempting to pitch a script to film executive Griffin Schraeder. After revealing several of the stories in his script, Wessler becomes agitated when Schraeder dismisses his outrageous ideas, and he pulls a gun on him and forces him to listen to multiple other stories before making Schraeder consult his manager, Bob Mone, to purchase the film.
When an undersea volcano sends tremors throughout the Atlantic, aquatic creatures come out of hiding. Merchant seamen Joe Ryan and partner Sam Slade harness the most unusual of the lot, a massive beast that looks like a Tyrannosaurus Rex. The enterprising sailors deliver their quarry to a British circus, but it turns out that the animal is a newborn. And, when his much larger mother arrives in London to rescue her son, the city feels her wrath.
There is an old wives’ tale that you should hold your breath when passing by a cemetery lest an evil spirit rejected by both heaven and hell gets inside of you when you inhale. Someone in a carload of college kids on holiday doesn’t hold his/her breath when driving by a graveyard, allowing the spirit of a recently executed serial killer to get inside him/her to begin a spree of body-jumping carnage.
Haskell (Michael Caine) is assigned a job by his boss, the aristocratic Landon-Higgins (James Fox), to highjack a high security van in broad daylight while it’s in the shadow run (out of radio contact with the main security firm). He assembles a team to carry out the heist, but things don’t go according to plan and Haskell begins to think his boss might be double crossing him. Add to this, a teenage boarding school pupil has already witnessed some of the meetings of the team and Haskell’s in real trouble.