A notorious gunslinger is slipped a slow-acting poison by an heiress and told he has three days to track down and rescue her sister, who has been kidnapped by a gang of hoodlums and holds the antidote.
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Vittles, songs and dance are amply ladeled out when Judy Garland headlines The Harvey Girls, a joyous musical slice of Americana celebrating the restaurants that brought extra helpings of civilization to Old West rail passengers.
High Noon is about Will Kane, the sheriff of a small town in the New Mexico Territory, who learns a notorious outlaw he put in jail has been freed, and will be arriving on the noon train. Knowing the outlaw and his gang are coming to kill him, Kane is determined to stand his ground. He attempts to gather a posse from among the local townspeople.
A ragtag group of gunslingers try to make their way in a post-apocalyptic world. The twist to this world is that it’s just not barren and dangerous, it’s also filled with flesh-eating zombies. The gunslingers will find themselves stranded in a town and forced to make a choice on either to save the citizens of the town or save themselves.
Having lost his horse in a bet, Pat Brennan hitches a ride with a stagecoach carrying newlyweds, Willard and Doretta Mims. At the next station the coach and its passengers fall into the hands of a trio of outlaws headed by a man named Usher. When Usher learns that Doretta is the daughter of a rich copper-mine owner, he decides to hold her for ransom. Tension builds over the next 24 hours as Usher awaits a response to his demands and as a romantic attachment grows between Brennan and Doretta.
Outlaw and self-appointed lawmaker, Judge Roy Bean, rules over an empty stretch of the West that gradually grows, under his iron fist, into a thriving town, while dispensing his his own quirky brand of frontier justice upon strangers passing by.
Back in Vietnam, Major Whittmar (Paul Gleason) sold out his comrades to save his own skin. Now, he’s a rich, ruthless land baron who’s getting richer by squeezing out or killing off his neighbors. But when he and his cronies murder a rancher who threatens to expose them, the man’s son, Will (Ken Olandt), swears vengeance.
Having spent the last 10 years fighting injustice and cruelty, Alejandro de la Vega is now facing his greatest challenge: his loving wife Elena has thrown him out of the house! Elena has filed for divorce and found comfort in the arms of Count Armand, a dashing French aristocrat. But Alejandro knows something she doesn’t: Armand is the evil mastermind behind a terrorist plot to destroy the United States. And so, with his marriage and the county’s future at stake, it’s up to Zorro to save two unions before it’s too late.
The story of a young boy who witnesses Billy The Kid’s encounter with Sheriff Pat Garrett.
Robert Ryan plays an aging sheriff responsible for law and order in a frontier cattle town. Virginia Mayo plays his fiancee. As if handling wild cattle drovers isn’t enough, a crooked casino operator from Ryan’s past comes to town. An early scuffle in the casino leaves Ryan with vision problems that interfere with his duties. Jeffrey Hunter who came to town with a cattle drive encounters Ryan, who killed Hunter’s father when Hunter was young. Feelings of animosity soon change as Hunter begins to sense Ryan is telling the truth about his father. What follows is a plot that continues to thicken to the inevitable showdown.
