After surviving a stabbing by a student, teacher Trevor Garfield moves from New York to Los Angeles. There, he resumes teaching as a substitute teacher. The education system, where violent bullies control the classrooms and the administration is afraid of lawsuits, slowly drives Garfield mad.
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Chantilly Bridge reunites a group of lifelong, steadfast friends who are still – in their later years — chasing their dreams, fighting injustices, and sticking up for their convictions. The women lay bare their lives and deal with important issues that impact all women with humor, humility, humanity, and love. No topic escapes the razor-like wit and insight of these women: equality, sex, menopause, mortality, feminism, parenthood, careers, love, and even “me-too” moments.
A floating space without gravity where an infinite number of lights shine in different colors: The “Box of Wisdom.” Inside of this box, there are multiple worlds, multiple timelines, and there used to be many different people. This is where Dual and Dorothy were fighting with enemies called “Viruses.” Worlds infected by viruses must be erased. That is the duty, the job of these girls. However, one day, Dual and Dorothy feel the presence of a new Virus. Arriving at the scene, they see a girl being attacked by Viruses. After saving the girl, the duo wait for her to awaken so they can ask who she is, where she came from, and where she is going. Finally, when the girl opened her eyes, she gave her name, Rimo, and whispered only one sentence… “I must return to the flower patch…”
While a couple creates an audition tape for an up-and-coming Charles Manson film, the dark events of the audition material slowly slip into their reality as they find themselves intertwined in an occult leader’s sinister plot.
Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns
48 hours in the life of public school-fool and Hedge-fund manager, Darryl Maddock, who suddenly discovers his stunning and exotic fiancé is a serial gold-digger with a penchant for violence.
Oliver and Cassi, a couple from Brooklyn, spend the day apart, meandering NYC, each with their respective best friend, trying to decide whether or not they should stay together and renew their lease or call it quits after five years.
Emma is an attractive girl in her 20s who has been blind for 20 years. A new type of eye operation partially restores her sight, but she is having problems: sometimes she doesn’t “remember” what she’s seen until later. One night she is awakened by a commotion upstairs. Peering out of her door, she sees a shadowy figure descending the stairs. Convinced that her neighbour has been murdered she approaches the police, only to find that she is unsure if it was just her new eyes playing tricks on her.
Aliens land in South Africa and, with their ship totally disabled, have no way home. Years later, after living in a slum and wearing out their welcome the ‘Non-Humans’ are being moved to a new tent city overseen by Multi-National United (MNU).
A tale of love and violence when a man on his emotional last legs finds a savior seductively dancing in a run-down strip club. And a life most certainly headed off a cliff suddenly becomes redirected – as EVERYTHING is now worth dying for.
The true story of four men who narrowly escaped death at the hands of Argentina’s military death squads during the 1970s is brought to the screen in this thriller. In 1977, Claudio Tamburrini (Rodrigo de la Serna) was a goalie for a minor-league football team when he was abducted by members of the Argentine military police and taken to an unofficial detention center on the false suspicion that he was a terrorist. Over 30,000 people lost their lives at the hands of Argentinean authorities under the military junta that ruled the country between 1976 and 1983, and as he was tortured by intelligence agents looking for information he didn’t have, Tamburrini fully expected to become another victim. After many sessions of brutal torture, Tamburrini and his fellow captives Guillermo (Nazareno Casero) and Tano (Martin Urruty) were being readied for execution when, in a final desperate act, Tamburrini dove out a window during a rainstorm.
Beatriz, an immigrant from a poor town in Mexico, has drawn on her innate kindness to build a career as a health practitioner. Doug Strutt is a cutthroat, self-satisfied billionaire. When these two opposites meet at a dinner party, their worlds collide, and neither will ever be the same.
