Michael Jennings is a genius who’s hired – and paid handsomely – by high-tech firms to work on highly sensitive projects, after which his short-term memory is erased so he’s incapable of breaching security. But at the end of a three-year job, he’s told he isn’t getting a paycheck and instead receives a mysterious envelope. In it are clues he must piece together to find out why he wasn’t paid – and why he’s now in hot water.
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Many years ago Mr. Six was a notorious gangster. That was back when there was still such a thing as honour among thieves, when criminals earned respect and maintained principles. These days Mr. Six is all but forgotten, a living relic residing in a narrow alley. One day Six’s son, Xiaobo, is abducted by some spoiled punks after he scratches their precious Ferrari. Mr. Six realizes that he must do whatever it takes to get his son back — even if that means returning to the life he thought he had left behind.
After years of killing for a man only known as “The Boss”, Serena is burnt out. When she is hired for one final job, she teams up with an underground renegade group to stop her replacement from executing the assassination.
The clues to a young woman’s death come together as the lives of seemingly unrelated people begin to intersect.
Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.
When Lucian and Miranda are left alone in an isolated mansion for the weekend, their mutual attraction grows, as does their unease about the whereabouts of Miranda’s ex-boyfriend who may be hiding somewhere in the house.
After a disease kills 98% of America’s children, the surviving 2% develop superpowers and are placed in internment camps. A 16-year-old girl escapes her camp and joins a group of other teens on the run from the government.
In End of the World, the fate of humanity lies in the hands of two guys who run a video rental store and are “sci-fi obsessed” movie fans. And who better to save the world, than guys who have seen all the movies and all the “out there” ways to save it!?
Two contentious buddies head into the forest for a work retreat, stumble upon an isolated meth lab, and find themselves fighting for their lives.
