A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy

A young street artist in East Los Angeles is caught between his father’s obsession with lowrider car culture, his ex-felon brother and his need for self-expression.

Three men meet on a night train on the border of Finland and Sweden. All three are concealing something, and a sudden confrontation amongst them leads to disastrous consequences, with two of them being forced to make a joint decision.

1892, Saint Petersburg. Sasha, a young Russian aristocrat, has always been fascinated by her grandfather’s life as an adventurer. A renowned explorer, he designed a magnificent arctic ship, but he hasn’t returned from his last expedition to the North Pole. To save her family’s honor, Sasha runs away. Headed towards the Great North, she follows her grandfather’s trail in search of his famous ship.

Waikiki Brothers is a band going nowhere. After another depressing gig, the saxophonist quits, leaving the three remaining members to continue on the road. The band ends up at the lead singer’s hometown, which was a popular hot spring resort in the ’80s, but the return home is filled with reservations of previous and past disappointments, a lost love, unemployment and tragedy.

Sending a burning arrow into the stunting effects that the compartmentalization of culture has on how creativity manifests, visual artist Doug Aitken embarked on an experiment exploring a less materialistic and more nomadic direction of art creation, exhibition, and participation. Station to Station involved a train that crossed North America housing a constantly changing creative community including artists, musicians, and curators, who collaborated in the creation of recordings, artworks, films, and 10 unique happenings, across the country.

A night out turns deadly when three girls break into a seemingly empty mansion.

Paranoia forces small-time scam artist Marty to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Power Glove, and a bad temper, the horror metal slacker lashes out.

Ip Man 4 is an upcoming Hong Kong biographical martial arts film directed by Wilson Yip and produced by Raymond Wong. It is the fourth in the Ip Man film series based on the life of the Wing Chun grandmaster of the same name and features Donnie Yen reprising the role. The film began production in April 2018 and ended in July the same year.

Claire’s life as a nurse in a busy hospital is complicated by a supervisor who is intent on making her miserable with tedious and extra tasks. Claire’s only relief is the patients she treats, and even that is not always a picnic. On a rare night off, she attends a dance performance and gets trapped in an elevator with a charming man. There is an instant connection between them, but as they are “rescued” from the elevator, they are pulled away from each other before they can exchange names and numbers.

Gambling fever — along with a brutal bookie — leads three crooked cops into a double-dealing scheme that lands them in hot water way over their heads.

When a couple sets out to build their dream house, they enlist the services of an uncompromising modernist architect, who proceeds to build HIS dream house instead of theirs.