Follows veteran police officer Dave Brown, the last of the renegade cops, as he struggles to take care of his family, and fights for his own survival.
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An unexpected love triangle, a failed seduction trap, and an encounter that results from a misunderstanding are the three episodes, told in three movements to depict three female characters and trace the trajectories between their choices and regrets.
When her mother disappears while on vacation in Colombia with her new boyfriend, June’s search for answers is hindered by international red tape. Stuck thousands of miles away in Los Angeles, June creatively uses all the latest technology at her fingertips to try and find her before it’s too late. But as she digs deeper, her digital sleuthing raises more questions than answers… and when June unravels secrets about her mom, she discovers that she never really knew her at all.
One summer, mother and ex dancer Eileen lapses back to a troubled past as she starts a new relationship… we watch as she and her family combust. The film, shot on a micro budget, treads between darkness and humour as it moves from its beginning in the suburban cricket club to its conclusion at a music festival.
A peaceful accountant, after find again a love of youth, discovers a big embezzlement in the company where he works. Thanks to the fact, he ends up involving in a corruption network that supplies the Brazilian politician system .
One morning, when Riley (Chantel Little) should be at classes, her mother Angie (Maissa Houri) hears a cellphone ringing from her bedroom, soon to discover Riley left her phone behind. She answers what is Riley’s best friend Mackenzie’s (Willow Mcgregor) third attempt to reach someone. After Angie asks if Riley is with her, she realizes Mackenzie was about to ask the same thing. Shortly after, Angie checks the main closet and finds Riley’s shoes are still there. Did she leave in the middle of the night or vanish into thin air? Riley’s circles paint a picture of the events surrounding her disappearance while exploring leads in what becomes a harrowing mystery of twists, turns, and answers that poses the question: Was it better to not know what really happened after finding out the truth?
Miguel is the perfect coyote: dedicated, single-minded, his record unblemished. His home is the winding path of the migrant: the back alley gravel, the crumbled pavement, and last – the river. Despite this perfect record, Miguel is no stranger to death. His nickname, “El Maldito” hints of what we will soon see for ourselves, for Miguel seems haunted by the dead and dying. He comes upon them on desert roads; he hears their confessions, and takes part in their dying wishes. Miguel’s house, much like the man himself, stands alone; yellowed photographs breathe the sigh of a life given over to a singular purpose – crossing his people to a new life. There are signs that this quiet struggle is soon to break. When a terrible wreck draws Miguel to the roadside, the order of his life comes to ruin, for Elena, the wreck’s lone survivor, recognizes Miguel.
After spoiled city girl Sloane Emerson gets in trouble yet again, her wealthy parents send her off to the country. There, the rebellious teen ends up forming a bond with the last thing in the world she would’ve thought – a horse.
Phar Lap, the big bold chestnut reigned as the king of the turf in the depression that gripped Australia of the 1930s. From his humble beginnings the New Zealand bred horse raced on to become the hero of a nation.
When the search engine he designs answers “yes” to the question “is the government of the United States evil?”, a brilliant computer programmer is arrested and held in isolation. Desperate, but keenly aware of the answer’s potential effect on the public, the programmer strikes a deal with his interrogators, agreeing to re-design the software in exchange for his freedom. As they search to understand why the program answered an ethical question and try to find a way to change its response, the faith and patience of both the programmer and his captors are put to the test. Suspenseful and darkly comic, S.E.R.P. is a film about coercion, innovation, and whether it is possible to do something good in the service of something evil.
Life in a middle-class neighbourhood in present day Recife, Brazil, takes an unexpected turn after the arrival of an independent private security firm. The presence of these men brings a sense of safety and a good deal of anxiety to a culture which runs on fear. Meanwhile, Bia, married and mother of two, must find a way to deal with the constant barking and howling of her neighbour’s dog. A slice of ‘Braziliana’, a reflection on history, violence and noise.