A young man of Chinese-Cambodian descent dies, leaving behind his isolated mother and his lover of four years. Though the two don’t share a language, they grow close through their grief.

In 1949 composer Roman Strauss is executed for the vicious murder of his wife Margaret with a pair of scissors. In 1990s Los Angeles a mute amnesiac woman shows up at an orphanage and private eye Mike Church is called in to investigate. Under hypnosis both the woman and Church seem to have a strange link back to the Strauss murder.

Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.

Eva Hendrickx is an ambitious young journalist working on the team of television legend Herman Verbeeck. She’s determined to bring a story about the riots in the suburbs of Brussels. While the city spins further away in a spiral of violence, Eva meets Lahbib, a Moroccan with a heavy past. He escorts her into his complex and hard world. Meanwhile, Herman Verbeeck sees a way to exploit Eva’s story in the ever-competitive mediagame…

Still recovering from a heart transplant, a retired FBI profiler returns to service when his own blood analysis offers clues to the identity of a serial killer.

Kate Parks has spent the past year on tour promoting her book, an in-depth look at the attempted cover up of her husband’s death in a plane crash. Now all she wants is to return home to her daughter, 15-year-old Samantha. But when a powerful solar flare strikes her flight home, killing the pilot, knocking out the co-pilot and frying all the electronic systems on the plane, it looks like she may not get there. As panic sets in among the passengers, Kate works with flight attendant Jake to manage the growing chaos and tension on the plane as she tries to keep 30,000 tons of steel hurtling through the air at 500 miles per hour. Flying blind, Kate tries to find a way to communicate with air traffic control – one way or another, this plane is coming down. With the passengers’ lives on the line, Kate will have to find a way to land safely… or never see her daughter again.

Grace Metalious’ once-notorious bestseller Peyton Place is given a lavish — and necessarily toned-down — film treatment in this deluxe 20th Century-Fox production. Set during WWII, the film concentrates on several denizens of the outwardly respectable New England community of Peyton Place. Top-billed Lana Turner plays shopkeeper Constance McKenzie, who tries to make up for a past indiscretion — which resulted in her illegitimate daughter Allison (Diane Varsi) — by adopting a chaste, prudish attitude towards all things sexual. In spite of herself, Constance can’t help but be attracted to handsome new teacher Michael Rossi (Lee Philips). Meanwhile, the restless Allison, who’d like to be as footloose and fancy-free as the town’s “fast girl” Betty Anderson (Terry Moore), falls sincerely in love with mixed-up mama’s boy Norman Page (Russ Tamblyn).

Two sisters, two boyfriends, one simple birthday weekend getaway. Or it would have been, if not for the threesome, the love affair, the unexpected arrival of a fiancé, and the ensuing ridiculous dinner role play charade everyone is forced to participate in just to keep from getting caught.

After a failed bank robbery, two heavily armed men hold the Los Angeles Police Department at bay for 44 minutes.

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An African American woman has an encounter with a white police officer that leaves him dead. The world watches a media circus real-time hunt for her and the truth.

Jonathan Wright has it all, a prestigious job, incredibly beautiful wife Amy, gorgeous 7-year-old daughter Megan and countless friends. In the prime of his life, Jonathan suffers a life threatening brain aneurysm that leaves him comatose. After regaining consciousness, he begins the grueling task of rebuilding his life.