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Three men, Vijay, Siddharth, and Aashiq, travel to Kochi with their own sets of problems, where they meet a mysterious man, Scobo Johns, who proves to be a turning point in their lives.
A late-night radio DJ with a program where people call to tell her real horror stories, soon will find out how far an obsessed fan is willing to go.
At the end of World War II, a National Guard infantry company must set up artillery observation posts in a strategic area. Lt. Costa (Jack Palance) knows that Capt. Cooney (Eddie Albert) is in command only because of the “connections” he made stateside. Costa has serious doubts concerning Cooney’s ability to lead, and when Cooney sends Costa and his men out on a dangerous mission — and refuses to reenforce them — all hell breaks loose.
Indian scout Tom Jeffords (James Stewart) is sent out to stem the war between the Whites and Apaches in the late 1870s. He learns (through an uncomfortably close encounter) that the Indians kill only to protect themselves, or out of retaliation for white atrocities.
Soon to be a father, Mark feels the pressure of domestic responsibility closing in, so he is more than happy to accept when his old friend Kurt proposes a camping trip in the Oregon wilderness. During their time together, the men come to grips with the changes in their lives and the effect on their relationship.
Romain, 31, a photographer, learns that a malignancy may kill him within a few months. Decisions: treatment? work? how to tell his lover and his family. He remembers the sea and himself as a child. He stares in the mirror. He’s cruel: facing death, he pushes people away – what’s the point? He visits his grandmother to tell her; on the way, he chats briefly with a waitress. He looks at old photos, visits a childhood tree house. He takes pictures. Returning from his grandmother’s, he stops for food and sees the waitress, Jany, again. She makes a request. He returns to an empty flat – his lover has left. Can Jany’s proposition give him a way to move past self-pity?
Set in 1398. Kim Min-Jae (Shin Ha-Kyun) is the supreme commander of the Joseon Dynasty. He falls in love for the first time and for that woman he takes risks. Yi Bang-Won (Jang Hyuk) is the King’s son. He helped his father setup the Joseon Dynasty era, but he was not picked as the Crown Prince. He still holds ambitions of becoming the King one day.
Jin (Kang Ha-Neul) is Kim Min-Jae’s son and the King’s son-in-law. Due to his position as the King’s son-in-law, he is unable to take part in politics and only seeks out pleasure.
A young woman’s desperate search for her abducted boyfriend that draws her into the infamous Colonia Dignidad, a sect nobody ever escaped from.
Heaven Adores You is an intimate, meditative inquiry into the life and music of Elliott Smith. By threading the music of Elliott Smith through the dense, yet often isolating landscapes of the three major cities he lived in — Portland, New York City, Los Angeles — Heaven Adores You presents a visual journey and an earnest review of the singer’s prolific songwriting and the impact it continues to have on fans, friends, and fellow musicians.
Two sisters Tae and Yo come back to their old house which is soon to be torn down. Clearing up the family mementos, Tae finds a red box full of recipes and letters written by their mother who died 20 years ago. In these recipes and letters, she finds out how her mother had struggled in her life due to relocation from Japan to Taiwan, the death of her Taiwanese husband, and a battle with cancer. Tae travels to Taiwan to trace her mother’s past, reminiscing about the dishes she made for the family.
Half-breed Keoma returns to his border hometown after service in the Civil War and finds it under the control of Caldwell, an ex-Confederate raider, and his vicious gang of thugs. To make matters worse, Keoma’s three half-brothers have joined forces with Caldwell, and make it painfully clear that his return is an unwelcome one. Determined to break Caldwell and his brothers’ grip on the town, Keoma partners with his father’s former ranch hand to exact violent revenge.