Nathan’s Kingdom is a dark fantasy, coming-of-age drama about Nathan, a 25-year-old autistic man struggling with his teenage prescription-addict sister, and rather than surrendering their lives to social services, they risk it all to find a kingdom that once existed only in their imaginations.

Two men, fortyish, worn out by their wives, abandon everything to go and live in the back of beyond. There they meet a truculent priest, a boozer, Émile who recalls them to life’s simple pleasures. Calm is what they want. But soon their example inspires thousands of disorientated males, fleeing the feminist 1970s. Soon, too, there arrives a squadron of nymphomaniac Amazons.

Three fanatical bird-watchers spend an entire year competing to spot the highest number of species as El Nino sends an extraordinary variety of rare breeds flying up into the U.S., but they quickly discover that there are more important things than coming out on top of the competition

In the present, artist Tom Warshaw recalls his traumatic coming of age. As a 13-year-old growing up in New York City in 1973, Tom hangs out with Pappass, a mentally disabled man. With Tom’s mother battling depression after the death of her husband, the young boy is left to his own devices. When Tom develops a crush on schoolmate Melissa, Pappass feels abandoned and begins behaving erratically.

A womanizer and a gold digger trick people into relationships with illegal robot doubles. When they unwittingly use this scam on each other, their robot doubles fall in love and elope, forcing the duo to team up to hunt them down before the authorities discover their secret.

An emerging journalist (Jesse Eisenberg), an experienced cameraman (Terrence Howard), and a discredited reporter (Richard Gere) find their bold plan to capture Bosnia’s top war criminal quickly spiraling out of control when a UN representative mistakes them for a CIA hit squad in a light-hearted thriller inspired by Scott Anderson’s popular Esquire article. The Weinstein Company provides stateside

Flash Fulton (Bud Abbott) and Weejie McCoy (Lou Costello) take pictures of a bank robbery. Lured to the mountain resort hideout of the robbers and accompanied by Dr. Bill Elliott (Patric Knowles) and Peggy Osborn (Elyse Knox), they also meet old friend Johnny Long (Johnny Long) and his band and singer Marcia Manning (Ginny Simms). Dr. Elliott and Peggy are being held in a remote cabin by the robbers, but Weejie rescues them by turning himself into a human snowball that becomes an avalanche that engulfs the crooks.

Marlon explores his greatest fears onstage whilst he explains his prominent consternation and trepidation.

Oh Mal-Soon (Nah Moon-hee) is a 74-year-old widow that realizes she is becoming a burden on her family. As she is roaming the streets, she comes across a photo studio and decides to dress up for a self- portrait. When she walks out of the photo studio, she mysteriously turns back into her twenty year old self. Making the most out of this one in a lifetime opportunity, she changes her name to Oh Doo-Ri (Sim Eun-kyeong) and decides to make the most out of her youth.

Substance-addicted Hollywood actress Suzanne Vale is on the skids. After a spell at a detox centre her film company insists as a condition of continuing to employ her that she live with her mother Doris Mann, herself once a star and now a champion drinker. Such a set-up is bad news for Suzanne who has struggled for years to get out of her mother’s shadow, and who finds her mother still treats her like a child. Despite these problems – and further ones to do with the men in in her life – Suzanne can begin to see the funny side of her situation, and it also starts to occur to her that not only do daughters have mothers, mothers do too.

The fate of Tokugawa’s world hangs in the balance as Yagyu Jubei is sent on a mission to discover what happened to 10 of the shogun’s spies that never returned. Matsukata Hiroki, one of the last surviving members of the Golden Age of Japanese Cinema proves that he has not lost a step as he portrays an older and wiser Yagyu Jubei in a movie that brings the best of samurai filmmaking into the 21st century. Summoned from semi-retirement by Shogun Iemitsu, Jubei is asked to take to the road and investigate a clan rumored to be preparing explosives for a rebellion. With help from a beautiful female ninja they head into the Shirakawa domain where the fighting skills of both are tested time and again as they strive to destroy a conspiracy that could bring a new Warring States Era. In the 1960’s Yagyu Jubei was the signature role of the great Konoe Jushiro, father of Matsukata Hiroki. This brings the character full circle.

Young Nathan has pulled a damaging prank at his school in the city and is sent to his father’s farm to work it off. But Nathan finds much more than he bargained for when he gets there, including Sarah, a very charming, independent farm hand, a bizarre crime ring, and a horse that only he can hear talk. Cameo by John Popper – lead singer of the band Blues Traveler. Directed and co-authored by first-time feature filmmaker, Christian Frelinghuysen. Produced by Mark Farrell (Curb Your Enthusiasm, Z Rock). Shot entirely in the Berkshires of Western Massachusetts.