Me, Myself & I is a 1992 dark romantic comedy starring JoBeth Williams and George Segal. The movie is the directorial debut of editor and producer Pablo Ferro. Bill Macy, Shelley Hack and Ruth Gilbert also appear in this independent film.

A couple’s weekend getaway turns into a nightmare after they are stranded in the woods and discover what they assume to be a dead body. The assumption is wrong and John and his girlfriend Jennifer are infected with a deadly disease that will soon ravage their bodies. With no place to go, and no one to turn to, they are forced to find shelter in a deserted cabin. This is where they’ll find safety, but this is also where they’ll experience a slow and torturous death. They must come to terms with their inevitable deaths, the temptation to kill others to sustain their own lives, and the consequences of murder. They will cling to one another’s love and support, but in the end…. all great love stories end tragically.

Follows Suzanne McBride and her three adopted daughters, this looks like a great time for a family reunion, but the sisters are each wrestling with unique challenges that threaten to derail this special occasion.

Max (David Schwimmer), an alpha-male commitment-phobic sports broadcaster, and Jay (Jason Lee), a neurotic novelist, have been best friends since childhood. Jay sets Max up with his editor Samantha (Mili Avital). Although they share few interests, they are engaged within two weeks. Still, when Max is confronted with the fact that Sam will be the last woman he will sleep with, he proposes a test. Jay will hit on Sam. If she shows no interest, then Max will be confident enough in her loyalty to go ahead with the marriage. Though when Jay hits on Sam, they end up falling in love with each other.

While vacationing on the crowded beaches of Riccione, a group of teenagers becomes fast friends as they grapple with relationship issues and romance.

A fantasy movie about an arrogant, lazy prince and his more heroic brother who must complete a quest in order to save their father’s kingdom.

Actor / writer / director Erich von Stroheim stars as a fraudulent count, living high on the hog in Monte Carlo. He supports himself by extorting huge sums of money from silly married ladies who are dumb enough to fall for his romantic charms. Von Stroheim’s partners in crime, phony princesses Mae Busch and Maud George, live in a state of perpetual depravity with the count in a huge mansion. Their latest victim, played by an actress who insisted upon being billed as Miss DuPont, is the wife of an American financier. Von Stroheim’s attempted seduction of this particular foolish wife is thwarted at every turn, and the count ultimately gets his comeuppance.

In the vein of MEET THE PARENTS and GUESS WHO’S COMING TO DINNER, ANITA HO follows down-on-his-luck Harry Ho, who finally decides to propose to his girlfriend, Anita, on her 30th birthday. But when Anita decides to spend her birthday in Las Vegas with her entire family – who has never met Harry – the fireworks begin! Unbeknownst to the young couple, Anita’s traditional Chinese parents have a nice Chinese doctor in mind for Anita, and they don’t approve of Harry, an unpaid Korean writer.

Szabolcs plays in a German football team, as does Bernard. They are roommates, best friends, inseparable. A lost match makes him reconsider his life and he goes back to Hungary in hope for more simplicity. Yet his solitude does not last long. Soon after his arrival he meets Áron and a mutual attraction between the two boys develops when suddenly Szabolcs receives an unexpected phone call from Bernard: he has arrived to Hungary…

Four police officers open up a lobster restaurant as a cover in order to catch a notorious drug dealer, only to find their secret recipe is more popular than they expect. When they get caught up in their new business venture, they find a bigger conspiracy at work.

Gavin Miller left the trauma of his high school years behind long ago, and has since become “Man of the Year”. But when “blast from the past” Rochelle Davis, walks back into his life, the awkwardness of his teens comes rushing back with her.

As a misanthropic, aging bartender cares for his estranged wife they begin to outgrow their cynicism while he forges a friendship with an impressionable young woman who is just discovering it.