The prestigious Danish filmmaker Bille August, winner of an Academy Award and two Palme d’Or in Cannes, returns with a highly personal drama. Three generations of a family gather over a weekend. The sisters Sanne and Heidi have accepted their terminally-ill mother’s desire to die before her disease worsens; but, as the weekend progresses, their mother’s decision becomes harder and harder to deal with, and old conflicts come to the surface.
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Jakob, a former teacher who lost his job due to the new Communist system, can only stand by and watch as the world around him slowly disintegrates, and fear and suspicion rule the day. Like most of the men, he soon finds himself in a Soviet prison.
When Emma meets Cassandra, they initiate a relationship filled with physical and psychological challenges. Emma does whatever it takes to master the rules of the game. Lines are crossed and the stakes get higher and higher. Despite this, Emma can’t resist the intoxicating feeling of total control.
The film is made up of futuristic, high concept stories about artificial intelligence. Whether it’s love found in time of over-population or exploration of the unknown and space-travel, “A.I. Tales” has a bit of something for every fan of the genre. Altogether, these stories provide a one-of-a-kind experience and a unique view of the near future.
Trek follows a young Mormon teenager named Tom and his friends on their handcart journey. Along the way they try to smuggle in unsanctioned food, battle sibling rivalry, encounter a “special ops” Young Men’s leader, match wits with a twinkie-loving skunk, and ponder doctrinal brain teasers like, “Do general Authorities go to PG-13 movies?” But, when they encounter unexpected trouble, their faith is tested much like their pioneer ancestors.
Kennedy Blaine, a Californian girl, inherits a ranch in the small town of Valentine in Nebraska. Before she sells the property, she decides to spend the summer in her house and learn more about her family.
Into the White is an anti-war movie. High above the harsh Norwegian wilderness, English and German pilots shoot each other to the ground after a violent chance encounter. Isolated, they must fight to survive the brutal winter. Though war has made them enemies, antagonism is hard to maintain as days go by. Through mutual need, unlikely friendships bloom. Somehow, they become comrades. War, after all, is absurd.
A divorced cop investigating the sadistic murders of high-class prostitutes discovers that the prime suspect is his ex-wife’s new boyfriend…
Paloma, the new girl at an esteemed prep school, is drawn into the daily aggressions of warring senior class factions. She joins the Spades and becomes friends with the Spades’ leader, an enigmatic and scheming cheerleader named Selah.
Flora Lau’s debut feature is a beautifully formed, subtle film that focuses on the lives of two people with very different prospects – a wealthy Hong Kong woman and her mainland Chinese chauffeur – both trying to cope with life’s unexpected dramas. Anna (Carina Lau) struggles to maintain appearances with her status-conscious friends after her husband mysteriously vanishes. Fai’s (Chen Kun) wife is heavily pregnant with their second child, has no health care entitlements in Hong Kong and cannot give birth in their homeland without incurring penalties for breaching the one-child policy. While their daily routines intersect, their fates only momentarily converge and Lau elegantly critiques the social contradictions at play by paralleling their predicaments rather than constructing drama between the two protagonists. (Source: LFF programme)
