Following the death of District Attorney Harvey Dent, Batman assumes responsibility for Dent’s crimes to protect the late attorney’s reputation and is subsequently hunted by the Gotham City Police Department. Eight years later, Batman encounters the mysterious Selina Kyle and the villainous Bane, a new terrorist leader who overwhelms Gotham’s finest. The Dark Knight resurfaces to protect a city that has branded him an enemy.
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A young man must escape from a mysterious locked vault before he dies of dehydration.
In the mean streets of London’s East End, a former Serbian commando and a fourteen-year old boy plot revenge against a powerful crime lord and his ruthless lieutenants. As our heroes prepare to take on their enemies, the boy is mentored in the dark arts of assassination and learns the true meaning of friendship, honor and respect.
Sodium Party follows Claire through a harrowing childhood to university where she meets Danny, a frequently intoxicated photographer who exposes her to real life through a cocktail of love and drugs. Their relationship is tested when ghosts of Claire’s tumultuous past manifest through super 8 home movie footage causing her world to unravel.
Masked vigilantes Charge (Jason Trost), Cutthroat (Lucas Till), The Wall (Lee Valmassy), and Shadow (Sophie Merkley) are rendered powerless by their archenemy (James Remar) and are forced to complete a series of deadly tasks in order to save the lives of more than 100 innocent civilians. Should they fail or refuse to cooperate, the entire town will be destroyed. ~ Jason Buchanan, Rovi
Orson Welles’s “Mr. Arkadin” tells the story of an elusive billionaire who hires an American smuggler to investigate his past. Welles missed the editing deadline, so the producer handed over the editing to others. Following two Spanish-dubbed versions, released in Madrid in March 1955, the first English-language version was released in London in August 1955 as “Confidential Report” but was never released in the US. The fourth version, called “the Corinth version”, was discovered in 1961 and was released in the US in 1962. Finally, in 2006, “the Criterion edit” was released; likely to remain the one closest to Welles’ intentions.
Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
Trapped in the center of a lucrative organ trafficking racket, Claire (Jessica Hegarty) discovers her father runs the grisly global criminal organization. Her sheltered life now shattered and exposed, Claire must work with Interpol to pursue the hidden truth. This journey thrusts Claire into a dark world, forced to fight for her life against a barrage of deadly hitmen assigned to silence her. No match against such organized assassins, Claire’s only hope rests on a chance encounter with a protective guardian, Michael (Rody Claude), who is not all as he seems. Her fight for survival reunites Claire with her father, pushing a family’s bond to its limits in a tense and desperate showdown.
Ivy and Bean never expected to be friends. Ivy is quiet, thoughtful and observant. Bean is playful, exuberant and fearless. However, sometimes an adventure reveals that opposites can become the best of friends.
In a post-apocalyptic world, a small group of survivors, who call themselves Foragers, plan to rebuild civilization from their headquarters in an empty hospital based in what is left of Philadelphia. But they’re soon forced into a face-off war with the Rovers, another gang of survivors whom are a brutal gang of cannibals.
Sixteen-year-old Joanna has been living with her overbearing Aunt Martha in a low-income NYC tenement building ever since a violent outburst left her fighting a feeling she can only describe as the “darkness.” Little did she know that weeks after moving in, a biological threat from the Soviet Union would leave the building boarded up and the tenants locked inside. It’s been one month since they were first sequestered. With food dwindling and Martha’s controversial role as leader expanding, Joanna realizes that she must face both her darkness and her aunt in order to save the tenants. But can she take on the leadership without letting the darkness take over her entirely?