When a meteorite touches down in the New Jersey woods carrying a monstrous alien slug, it’s up to four teens to stop it before it’s terrifying brood consumes all life on Earth!
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A young girl is sold into the red-light district Yoshiwara and is put under the care of the oiran (lead prostitute) of the Tamakiku house. The girl is rebellious, but the more experienced people in the household begin to think that she will be one day a great oiran, since an oiran needs not only beauty and talent, but she should also have the tenacity to maintain the position.
For Kathleen, Christmas has always been an unwelcome reminder of her father’s abandonment almost 30 years ago. Although she has tried to forget her past, it has not forgotten her. In the days leading up to Christmas un unforgiving blizzard traps her in her own home with two unlikely roommates. Same, a gentle older man Kathleen took in for the night and Lucy, the daughter of her soon to be fiancé bring her face to face with the hurts of her past. Will she be able to let go and grab hold of a life-changing forgiveness or will she continue to be haunted by the pain of the past?
In Columbus, Ohio, a group of autistic teenagers and young adults role-play this transition by going through the deceptively complex social interactions of preparing for a spring formal. Focusing on several young women as they go through an iconic American rite of passage, we are given intimate access to people who are often unable to share their experiences with others. With humor and heartbreak, How to Dance in Ohio shows the daily courage of people facing their fears and opening themselves to the pain, worry, and joy of the social world.
An “underground” cartoonist contends with life in the inner city, where various unsavory characters serve as inspiration for his artwork.
A woman (Lynn Whitfield) dying of kidney disease learns that God works in mysterious ways after convincing her son (Michael Jai White) to help a repentant ex-con (Byron Minns) whose unexpected presence prompts a startling deathbed confession.
A young samurai, Shojuro Sako, travels on the Tokaido to Edo with his two servants, Genta and Gonpachi. Gonpachi has been told by Shojuro’s mother to prevent his Master from drinking… The road is not safe. On the way, they meet young orphan boy, Jiro, and many other travellers: A team of great directors, including Yasujrio Ozu, Hirochi Shimizu and Daisuko Ito, assisted Uchida with his remarkable post-war comeback film. It’s an affable samurai road movie with a focus on unglamorus characters, as a dim-witted samurai and his servants traverse the Tokaido highway. Much of the film is played as comedy, making the brilliantly staged violent climax all the more shocking.
Diego, a Venezuelan urbanist, and Elena, a contemporary dancer from Barcelona, move to the United States with their approved visas to start a new life. Their intention is to boost their professional careers and start a family in ‘the land of opportunities’. But upon entering New York airport’s immigration area, they are taken to the secondary inspection room, where border officers will subject them to an unpleasant inspection process and a psychologically grueling interrogation.
Broadcasting through a makeshift network of discarded televisions, this story is tangled up in the aftermath of Los Angeles’s worst earthquake nightmare. Travel between screens and aftershocks into the twisted lives of the survived.
A chronicle of Gertrude Bell’s life, a traveler, writer, archaeologist, explorer, cartographer, and political attaché for the British Empire at the dawn of the twentieth century.
In the early to mid ’90s, when the South African system of apartheid was in its death throes, four photographers – Greg Marinovich, Kevin Carter, Ken Oosterbroek and João Silva – bonded by their friendship and a sense of purpose, worked together to chronicle the violence and upheaval leading up to the 1994 election of Nelson Mandela as president. Their work is risky and dangerous, potentially fatally so, as they thrust themselves into the middle of chaotic clashes between forces backed by the government (including Inkatha Zulu warriors) and those in support of Mandela’s African National Congress.
