When Eric pays an escort, Veronica, for 60 minutes of her time he intends to use this opportunity to convince her to quit this line of work. But Veronica is no damsel in distress and what ensues is a verbal battle of wits as sparks fly and the pair attempt to win their argument all the while peeling away the layers of who they really are. What they find out about themselves and the secret Eric holds will ensure nothing remains the same again. Told in real-time and set entirely in one location with only two characters ‘The Escort’ is a film about relationships today and the intimacy which is lost in the social media age. Written by Phoenix Waters Productions
You May Also Like
Three juvenile delinquents arrive at a correctional center and are put under the care of an experienced guard.
Carpenter Sergio runs away and hides in a closet after his boss fired him. When the closet arrives at its buyer’s house, he decides to stay there, hiding in his new home living with an unknown family.
Starring Michelle Trachtenberg and Rick Fox, “The Christmas Gift” is about ten-year-old Megan, who upon receiving a Secret Santa gift, is touched by its contents which end up having a huge impact on her life. Now a driven young journalist, Megan can’t shake her desire to thank the person who sent her that heartfelt gift over a decade ago. Determined to prove herself to her editor, she goes on the search for the perfect Christmas story, and in doing so, she finally discovers who her Secret Santa is. Inspired by a true story.
In the early 2000s, two brothers found tremendous success when their company began selling a device that has been called ‘the biggest revolution in law enforcement since the radio.’ But as their company grew, they made decisions that would have lasting impact on both the public and their increasingly skeptical customer base.
A comedy film that looks into the loosely connected lives of people with strange sexual fantasies. A woman with a dangerous fantasy and her partner’s struggle to please her. A man who begins an affair with his own wife without her knowing anything about it. A couple struggling to keep things together after a sexual experiment spins out of control. A woman who can only find pleasure in her husband’s pain. A call centre operator caught in the middle of a dirty and chaotic phone call. And the distractingly charming new neighbour who connects them all.
Unusually close mother Lyn and daughter Iona are excited for their new life in a new town. After a tricky start, Iona becomes ‘best friends’ with Keely, Stacey, and Chelsea. Used to being Iona’s best friend herself, Lyn feels left out, so she also makes friends with Belinda, her neighbor. As much as Lyn and Iona pretend with each other that things are great, things are not going that well for either of them. Both mother and daughter hide behind fantasies and lies. When Lyn understands what is really going on with Iona, she figures out a way to punish her friends and keep Iona safe by her side … forever.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A reluctant cavalry Captain must track a defiant tribe of migrating Cheyennes.
Dr. Bonner plans to live forever through periodic gland transplants from younger, healthier human victims. Bonner looks about 40; he’s really 104 years old. But people are starting to get suspicious, and he may not make 200.
After his father’s untimely suicide, Cufe leaves his home in a Native American reservation in search of a more fulfilling life.
A harrowing tale of faith, revenge, and savagery in medieval Sweden.