Cassie Nightingale (Bell) finds herself with only days to plan her stepson Brandon’s (Knight) wedding to Tara (Leggat) when the happy couple unexpectedly pushes up the date for their big day. Meanwhile, Martha (Disher), the newly elected mayor of Middleton has roped her into chairing the silent auction to raise much-needed funds for her pet project, the Middleton Botanical Gardens. Audrey (Wilson), a new arrival in town, pops in to Cassie’s store Bell, Book & Candle and the two instantly bond. Needing help in the store, Cassie immediately hires Audrey as her new store associate and she even pitches in and helps Cassie organize the auction. But, Audrey is hiding a secret past and suspicions start to swirl around her when the donated auction items are missing. With the use of her “special” powers – as well as some teamwork by the Mayor and Jake (Potter), her husband and local Chief of Police – Cassie hopes to conjure up the truth before it’s too late.
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A young orphan discovers her occult lineage and the curse she is destined to fulfill.
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The wedding of their youngest sister, Janet, brings Gwen and Kay home to St. John’s, Newfoundland. While Janet struggles to hide her family’s dysfunction, Kay can’t help but create chaos wherever she goes and Gwen finds herself paralyzed by a past secret. The complicated web of relationships between the sisters, their Aunt Maureen, their absent mother, and Kay’s young daughter Billie, is only illuminated by the wedding. Gwen’s attempts to get Kay to take responsibility for her daughter highlights her own abandonment of her ex, Tom, leading them all to a not-so-perfect storm of a reception.
It is the story of a fiercely fought election campaign, where money power and corruption are the accepted norms, and where treachery and manipulation are routinely used weapons. As the personal drama of these conflict-ridden characters unfolds against this gritty backdrop, love and friendship become mere baits, and relationships get sacrificed at the altar of political alignments. The darkness that rises from their souls threatens to envelope all that they hold precious. Until eventually, in the crescendo of increasing violence, the line between good and evil blurs, making it impossible to distinguish heroes from villains. Raajneeti is the story of Indian democracy. And its ugly underside. It is about politics. And beyond.
Miser Ebenezer Scrooge is awakened on Christmas Eve by spirits who reveal to him his own miserable existence, what opportunities he wasted in his youth, his current cruelties, and the dire fate that awaits him if he does not change his ways. Scrooge is faced with his own story of growing bitterness and meanness, and must decide what his own future will hold: death or redemption.
Viktor Navorski is a man without a country; his plane took off just as a coup d’etat exploded in his homeland, leaving it in shambles, and now he’s stranded at Kennedy Airport, where he’s holding a passport that nobody recognizes. While quarantined in the transit lounge until authorities can figure out what to do with him, Viktor simply goes on living – and courts romance with a beautiful flight attendant.
Behind the magnificent Taj Mahal lies a cluster of dingy homes where Chanda (35), a domestic help, lives with her 14-year-old daughter Appu. Chanda aspires and dreams that her daughter will study and embrace a better fate. When Appu tells her she wants to quit school and become a maid like her, Chanda takes a strong decision: she will herself go back to school, and even join the class of her daughter.
Set in a seaside resort in the Caucasus, the story centers on n’er do well, Laevsky (Andrew Scott) and his illicit relationship with his mistress Nadya (Fiona Glascott). Laevsky has convinced Nadya to leave her husband for him, but now wants to abandon her.