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Consumed by a horrific event in her past, a woman is driven to violent retribution, and soon discovers that there can be no getting even. Her only ally: a meth-making genius who manipulates her for his own ends while she wages a vigilante campaign against a powerful drug lord and his thug army. A detective, investigating a series of grisly homicides, begins to uncover the truth about her, and the role he himself played in her origins. But can he find her in time to stop the killing, and to save her from herself?
Adapted from Issue #1 of Frank Miller’s seminal 1986 comic series, filmmaker Wyatt Weed (“Shadowland,” “Four Color Eulogy”) offers his unofficial fan’s take on the Batman mythos. Following the death of Robin at the hands of the Joker, Bruce Wayne (Weed) hung up the cowl and cape 10 years ago. But now Gotham City is in the grip of a violent crime wave, and the venerable 55-year-old billionaire has to decide if the time is right for the Caped Crusader’s return. (This production is non-profit and is for entertainment purposes only. The production is in no way associated with DC Comics or Time Warner.)
In a small and conservative Scottish village, a woman’s paralytic husband convinces her to have extramarital intercourse so she can tell him about it and give him a reason for living.
Scott Calvin is an ordinary man, who accidentally causes Santa Claus to fall from his roof on Christmas Eve and is knocked unconscious. When he and his young son finish Santa’s trip and deliveries, they go to the North Pole, where Scott learns he must become the new Santa and convince those he loves that he is indeed, Father Christmas.
What happens when a generation’s ultimate anti-authoritarians — punk rockers — become society’s ultimate authorities — dad’s? With a large chorus of Punk Rock’s leading men — Blink-182’s Mark Hoppus, Red Hot Chili Peppers’ Flea, Rise Against’s Tim McIlrath — The Other F Word follows Jim Lindberg, 20-year veteran of skate punk band, Pennywise, on his hysterical and moving journey from belting his band’s anthem, ‘Fuck Authority’, to embracing his ultimately pivotal authoritarian role in mid-life, fatherhood.
I Am Somebody’s Child: The Regina Louise Story tells the journey of a young African American girl who navigated over 30 foster homes and psychiatric facilities before age 18, and the one woman, Jeanne, who believed in her. After Jeanne’s unsuccessful attempt to adopt Regina due to a racially motivated ruling, their bond is forced apart. I Am Somebody’s Child is Regina’s story of how one woman’s belief and love becomes her lifeline as she defeated the odds of a corrupt system and succeeded. After 25 years, Jeanne is finally able to adopt Regina in the same courthouse that denied them previously.
Julian (Álex González) and his friend Luis (Miguel Angel Silvestre) are two neighborhood boys who are part of a gang of violent neo-Nazis, led by Solis (Javier Bardem). After start training in a gym, Julian is transformed gradually thanks to the discipline of boxing, the nobility of his coach (Carlos Bardem) and the love of a young latin girl (Judith Diakhate). All of this takes away from the group, but Luis is not ready to accept that leave the “herd”.
Angel’s Perch is the story of Jack, a successful architect living in Pittsburgh, who must make the trip to his tiny hometown when his grandmother Polly, who is suffering from Alzheimer’s, is found wandering outside her house one morning. But what was intended to be a two day, under the radar trip to town becomes more complicated when Jack is unable to move Polly into an assisted living facility. Torn between the career opportunity of a lifetime, caring for his last living relative and running from his own painful memories, Jack’s carefully constructed life begins to unravel.