After twenty years of marriage, art professor Nino Rolfe attempts to break down his wife Teresa’s conventional modesty. Noticing her affection for their daughter’s fiancé, Nino instigates her sexual interest in him as well. This sets off a chain of unexpected events and emotional complications, as Nino and his unpredictable fascist daughter find that they both enjoy being jealous.
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One year after his young son disappeared during a Halloween carnival, Mike Cole is haunted by eerie images and terrifying messages he can’t explain. Together with his estranged wife, he will stop at nothing to unravel the mystery and find their son—and, in doing so, he unearths a legend that refuses to remain buried in the past.
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A film based on the semi-autobiographical novel of the same name by American writer Jonathan Safran Foer, in which a young Jewish American man endeavors—with the help of eccentric, distant relatives—to find the woman who saved his grandfather during World War II, in a Ukrainian village which was ultimately razed by the Nazis.
It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.
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Sam and her friends are terrorised during a party by a group of young men on a desperate hunt for something in her house.