Jack Crabb, looking back from extreme old age, tells of his life being raised by Indians and fighting with General Custer.

Abahachi, Chief of the Apache Indians, and his blood brother Ranger maintain peace and justice in the Wild West. One day, Abahachi needs to take up a credit from the Shoshone Indians to finance his tribe’s new saloon. Unfortunately Santa Maria, who sold the saloon, betrays Abahachi, takes the money and leaves. Soon, the Shoshones are on the warpath to get their money back, and Abahachi is forced to organize it quickly.

While a Mexican revolutionary lies low as a U.S. rodeo clown, the cynical Polish mercenary who tutored the idealistic peasant tells how he and a dedicated female radical fought for the soul of the guerrilla general Paco, as Mexicans threw off repressive government and all-powerful landowners in the 1910s. Tracked by the vengeful Curly, Paco liberates villages, but is tempted by social banditry’s treasures, which Kowalski revels in.

Wily roving gunslinger Sartana arrives in a small town and tries to find a hidden fortune of half a million dollars in gold and two million dollars in counterfeit money. Naturally, a bunch of other treacherous folks who include conniving widow Senora Manassas, shrewd fellow gunslinger Grand Full, and the vicious and unhinged General Monk are also looking to get their greedy hands on said fortune.

John Russell, disdained by his “respectable” fellow stagecoach passengers because he was raised by Indians, becomes their only hope for survival when they are set upon by outlaws.

Gorgeous IRA operative Maria flees the British authorities and finds herself in Mexico, where she meets a stunning woman also named Maria, a singer in a traveling circus. The new friends start a vaudeville act — one that grows exponentially more popular after they incorporate striptease into their routine. When the singer Maria falls for a charismatic Mexican rebel, the girls leave the circus behind and recreate themselves as wild-eyed revolutionaries.

Django is a 1966 Italian spaghetti Western film directed by Sergio Corbucci and starring Franco Nero in the eponymous role. The film earned a reputation as being one of the most violent films ever made up to that point and was subsequently refused a certificate in Britain until 1993, when it was eventually issued an 18 certificate. Subsequent to this the film was downgraded to a 15 certificate in 2004. Although the name is referenced in over thirty “sequels” from the time of the film’s release until the mid 1980s in an effort to capitalize on the success of the original, none of these films were official, featuring neither Corbucci nor Nero. Nero did reprise his role as Django in 1987’s Django 2: Il Grande Ritorno (Django Strikes Again), in the only official sequel to be written by Corbucci.

In the Wild West, the mysterious Death Rider enters a dangerous Vampire Sanctuary where the price of admission is a one female virgin.

In the 1820s, a frontiersman, Hugh Glass, sets out on a path of vengeance against those who left him for dead after a bear mauling.

Blaise Starrett is a rancher at odds with homesteaders when outlaws hold up the small town. The outlaws are held in check only by their notorious leader, but he is diagnosed with a fatal wound and the town is a powder keg waiting to blow.

El Chuncho’s bandits rob arms from a train, intending to sell the weapons to Elias’ revolutionaries. They are helped by one of the passengers, Bill Tate, and allow him to join them, unware he is an assassin working for the Mexican government.

A group of Mexican revolutionaries murders a town priest and a number of his christian followers. Ten years later, a widow arrives in town intent to take revenge from her husband’s killers.