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The contemporary story of Chinese New Zealand-born over-achiever Emily Chu, raised to believe she can get anything she puts her mind to. Even if ‘anything’ is at odds with her traditional Hong Kong born parents’ wish for her to become a doctor like her two older sisters. Everything is coming up roses – until she meets James, a European New Zealander, and accidentally falls in love with him. But if her father finds out, she will face disownment. By the time Emily realises that she’s sacrificing the respect of her family to follow her heart, James, too, has fallen irrevocably in love and there’s nothing for it but to try and keep their relationship a secret. Happy endings don’t come easy, if at all, but that doesn’t mean they don’t happen. But for Emily to get one, she needs to show James and her family that she has learned a lesson about the selflessness of love.
An illegitimate child of the slums comes to faith. Later, she chooses to labor in a canning factory in order to investigate its poor conditions, not realizing she has a significant connection to the cold-hearted factory owner.
A young woman left her family for an unspecified reason. The husband determines to find out the truth and starts following his wife. At first, he suspects that a man is involved. But gradually, he finds out more and more strange behaviors and bizarre incidents that indicate something more than a possessed love affair.
A priest tries to save a marriage that appears to be headed for the rocks in time for Christmas.
‘Lost and Found’ is a film with 7 interconnecting stories set in and around a lost and found office of an Irish train station.
Kathiresan aka Kaththi, a criminal, escapes from the Kolkata prison and comes to Chennai, where he comes across his doppelganger Jeevanandham, fighting for his life after being shot at by unknown men. Kathir decides to pass off as Jeeva and make away with a lump sum amount but once he realizes who Jeeva really is, Kathir turns a crusader.
Ming General Cheng (Wang Dao) and his band of soldiers escape to Taiwan after Ching forces topple the Ming Dynasty. Still fearing the deposed general’s deadly potential, however, the Ching prince Ta orders his own band of ruthless mercenaries to finish off Cheng and his warriors. The rivals prove to be equally skilled, and soon everybody is kung fu-fighting in this action-heavy martial arts spectacular.
As a Sikh man with a full beard and turban, AMRIT SINGH is often the target of racial profiling. But when he sees his dreams of becoming Chief of Surgery at a state-of-the-art transplant center dwindle because of his appearance, Amrit goes against a tradition he’s maintained his whole life and cuts his hair. Hiding this decision from his girlfriend and family in Toronto is only the start of a series of compromises Amrit finds himself making as he deals with hospital politics and health care injustices. When his compromises result in the death of a patient, Amrit begins to reexamine the value of the religious traditions he’d turned his back on.
Good Witch Cassie Nightingale (Catherine Bell) is back to her bewitching ways, but this time she’s also juggling a newborn daughter and her job as town Mayor. With such a busy schedule she and her husband, town sheriff Jake Russell (Chris Potter), aren’t getting much sleep. Hoping for a break, Cassie plans a much needed vacation with her new family. But things go awry when a crime wave sweeps through town and an investigative reporter (Geordie Johnson) tries to ruin Cassie’s image after a video of her magically disappearing turns up on the internet. To make matters worse, Cassie’s estranged foster mother (Janet-Laine Green) appears in town and Cassie’s stepdaughter (Hannah Endicott-Douglas) is suddenly accused of the recent robberies. Supported by her loyal family and friends, Cassie must rely on her signature charm to put a stop to the rumors before they completely destroy the town, and a Good Witch’s reputation!
John and Mary Sims are city-dwellers hit hard by the financial fist of The Depression. Driven by bravery (and sheer desperation) they flee to the country and, with the help of other workers, set up a farming community – a socialist mini-society. The newborn community suffers many hardships – drought, vicious raccoons and the long arm of the law – but ultimately pull together to reach a bread-based Utopia.
Shot over the course of their actual pregnancy with cast doubling as 2-man crew, Paula and Charlie document their impending parenthood during a time of extreme political division. Their heads remain in the sand about the greater world around them until it upends their privileged life. Now they face a situation Instagram never prepared them for, but that women all over the world face daily – bringing life into a country torn apart by war.
