In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him.

When a teenage girl says she’s the victim of a secret network called The Sisterhood of Night, a quiet suburban town becomes the backdrop for a modern-day Salem witch trial.

Meet Crystal. She decides to rob a liquor store. It goes pretty ok.

When Kate and Abby are mistaken for famous art thieves, their fun night out quickly goes from good to bad.

In the Swedish city of Lethe, people from different walks of life take part in a series of short, deadpan vignettes that rush past. Some are just seconds long, none longer than a couple of minutes. A young woman (Jessica Lundberg) remembers a fantasy honeymoon with a rock guitarist. A man awakes from a dream about bomber planes. A businessman boasts about success while being robbed by a pickpocket and so on. The absurdist collection is accompanied by Dixieland jazz and similar music.

Sy meets Nancy and her young daughter, Lisa, while birdwatching. A spark is kindled between them, but things go sideways when Sy is in an accident.

The Ames’ seem to have built the perfect life until their six year old daughter is kidnapped; over the course of seven days they begin to uncover secrets about their past that could rip their marriage and lives apart.

Sadie, a young female novelist, and an enigmatic woman named Francesca, are enticed by an ex-lover to join him at his Italian villa for a weekend celebration being held to honor the release of Sadie’s latest book. Once there, Sadie begins to fear his true intentions as she and Francesca become embroiled in a dangerous game of moral and sexual discovery.

Lane Speer is a 16 year old girl who spends her family vacations camping in the mountains. She takes the memories for granted until she loses her father to an unexpected bout with cancer. Only a year later, as Lane is still reeling from her father’s death, he mother remarries a guy that Lane hardly knows. Worst of all, he is a Mormon. To top it off, while they are on their honeymoon, they arrange to have her stay with her Mormon step-aunt who takes her away to a bible-themed girls camp with a bunch of young Mormon girls. Confronted with memories of camping with her family, she tries to find peace with her new surroundings and deal with the death of her father.

17-year-old Ashley Reeves is left for dead in the woods following a brutal attack. After spending 30 horrific hours in the cold, gravely wounded, lying in the dirt, and paralyzed, the police find her alive.

In the second half of the 19th century, Eadweard Muybridge, the father of motion pictures, embarks on an obsessive project to record on film “the motion of life” in all of its abundance. His epic quest is eclipsed only by the depth of his jealousy over his beautiful, young wife Flora. As the project progresses, his paranoia over her fidelity consumes him, until questions arise about his son’s paternity, causing him to erupt.

With this inventive portrait, director Kirsten Johnson seeks a way to keep her 86-year-old father alive forever. Utilizing moviemaking magic and her family’s dark humor, she celebrates Dr. Dick Johnson’s last years by staging fantasies of death and beyond. Together, dad and daughter confront the great inevitability awaiting us all.