A young caterer’s life suddenly changes course when she inherits a country home and learns she must share it with a career obsessed Wall Street trader. At first, these opposites do not attract, but feelings begin to change when they find themselves having to work side-by-side to restore their newly acquired home.

The Goalie’s Anxiety at the Penalty Kick is a 1972 German language drama film directed by Wim Wenders. It was adapted from a novella by Wenders’ long-time collaborator Peter Handke. A goalkeeper is sent off during a game for committing a foul. He spends the night with a cinema cashier, whom he afterwards kills. Although a type of detective film, it is more slow moving and contemplative than other films of the genre. It explores the monotony of the murderer’s existence and, like many of Wenders’ films, the overwhelming cultural influence of America in post-war West Germany.

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Liam Case is a garbage man whose life hasn’t quite turned out the way he expected it would. In order to impress the girl of his dreams, Liam plans an elaborate heist that will culminate with him jumping in to save the day at the last minute. When the day of the heist arrives, however, the plan takes an unexpected turn and Liam winds up in the hospital.

During the 1972 Olympic Games in Munich, eleven Israeli athletes are taken hostage and murdered by a Palestinian terrorist group known as Black September. In retaliation, the Israeli government recruits a group of Mossad agents to track down and execute those responsible for the attack.

A deranged serial killer known as “Clownface” terrorises the residents of a small town.

Ti Lung is the Nameless Swordsman bent on defeating the faceless King of Swords to claim the title, and the glory, for himself. Hordes of fighters lunge from the shadows to cut down the mysterious challenger. Even a cunning seductress takes a stab at him in a revealing bath house assassination. It is said that a man’s weapon reflects his utmost dreams, desires and fears. A warrior with no name and one motive has a soul as merciless as cold steel.

A new girl in a quiet town, Tess tries to manage her psychosis while adjusting to her new life with her mom. After stumbling upon the shrine of Lucy, a hit and run victim, Tess finds herself overwhelmed by hallucinations of the dead girl and starts to question her sanity again. When the spirit possesses Tess’s mind and soul, mother and daughter are at a loss for where to turn next for salvation: religion or medicine? Both institutions have failed them to date but faith leads them to the house of Sarah, Lucy’s mother, who has been despondent since the accident. All together with time working against them, Sarah is desperate to believe that Lucy is still alive in Tess but neither parent wants to give up on their daughter. Now that she understands what is happening to her, ultimately Tess must decide whether she wants to keep fighting or succumb to her affliction.

After Darby Harper suffered a near-death experience as a child, she gained the ability to see ghosts. To combat the existential boredom of high school, she runs a side business counseling local spirits in her spare time. When an unexpected occurrence happens between Darby and Capri, the most popular girl at her high school, Darby reluctantly agrees to help her and in the process learns how to fit in with the living world again.

The film is set during the period of growing influence of the Indian independence movement in the British Raj. It begins with the arrival in India of a British woman, Miss Adela Quested (Judy Davis), who is joining her fiancé, a city magistrate named Ronny Heaslop (Nigel Havers). She and Ronny’s mother, Mrs. Moore (Peggy Ashcroft), befriend an Indian doctor, Aziz H. Ahmed (Victor Banerjee).

A father’s journey to help his blind and wheel-chair bound son to overcome impossible odds and allow the world to see his God-given potential.

Yitzhak runs the turkey farm his father built with his own two hands after they emigrated from Iran to Israel. When his son Moti turns thirteen, Yitzhak teaches him the trade, hoping that he will continue the proud family tradition. But Moti doesn’t like working in the turkey barn; his passion is fixing up junkyard cars and bringing them back to life. Moti’s mother Sarah tries to reconcile between the two, while his grandfather pushes Yitzhak to take a firm hand with his son. Yitzhak takes Moti’s refusal to work in the turkey barn as a personal rejection. Though he loves his son dearly, he makes it his mission to impose the family farm on Moti. The arrival of Darius, the uncle from America, sets off a chain of events that will undermine the familial harmony. Soon enough Yitzhak will learn that his son is just as stubborn as he is. The conflict is inevitable.