‘Social Suicide’ is an investigative thriller examining what it really takes to get noticed on the Internet today. Loosely based on Romeo and Juliet, the police investigate what happened to these two teenagers before it’s too late by trolling through their relationship history through social media.

Our story takes place in the fertile, San Joaquin Valley. Fueled by gin and sheer determination, Elizabeth James (Ms. Liz) operates her third generation dairy farm outside the region’s domineering co-ops. To help keep the place afloat, she’s employed five renegade ranch hands. These boys have put a pin in responsibility and opted to stretch out the party as long as possible. Unfortunately, women, booze, and fisticuffs can only lead to one outcome: trouble. With the dairy farm reporting its third straight deficit year, Ms Liz is attracting some unwanted attention. Delbert Furgeson, the owner of the area’s largest co-op, is pushing to buy her out. This only incenses the prideful Ms Liz and starts a volatile feud between the two. Sharing the narrative are the ranch hands.

On the surface, Hunter (Haley Bennett) appears to have it all. A newly pregnant housewife, she seems content to spend her time tending to an immaculate home and doting on her Ken-doll husband, Richie (Austin Stowell). However, as the pressure to meet her controlling in-laws and husband’s rigid expectations mounts, cracks begin to appear in her carefully created facade. Hunter develops a dangerous habit, and a dark secret from her past seeps out in the form of a disorder called pica – a condition that has her compulsively swallowing inedible, and oftentimes life-threatening, objects. A provocative and squirm-inducing psychological thriller, SWALLOW follows one woman’s unraveling as she struggles to reclaim independence in the face of an oppressive system by whatever means possible.

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When Danielle is banished to special education because of her misbehavior, she joins Clarke on a road trip to discover themselves.

He’s one of the hardest working filmmakers in the genre business…….So what’s HATCHET man Adam Green been up to this past year apart from working on his sit-com ‘Holliston’, writing KILLER PIZZA and prepping EXORCISM ON CROOKED LAKE? The answer is this documentary starting out exploring genre-based monster art and then taking an odd turn into the blurring of fantasy and reality. Because halfway through producing this treatise with cinematographer Will Barratt at his L.A. ArieScope Pictures offices, they are contacted by former policeman William Dekker who claims he can prove that monsters are indeed real. That they live in world just below our own named The Marrow and he knows where one of the entrances to this dark hidden universe is. Green of course is intrigued and so the monster hunting expedition begins… to become something else far more frightening than he ever imagined.

After a bleak childhood, Jane Eyre goes out into the world to become a governess. As she lives happily in her new position at Thornfield Hall, she meet the dark, cold, and abrupt master of the house, Mr. Rochester. Jane and her employer grow close in friendship and she soon finds herself falling in love with him. Happiness seems to have found Jane at last, but could Mr. Rochester’s terrible secret be about to destroy it forever?

A film location finder is shown around a repossessed, crumbling French château. Over the course of the afternoon, he slowly falls for both the place and the owner’s flirtatious representative, as she recounts the story of a famous book set there. But is their present-tense connection for real, or just a projection of the book’s 17th Century characters?

John McKenna is a spiritual being who is able to transform into bear, wolf or eagle. He lives in the forests of Tanglewood and has dedicated his life to protect them. One day a gang of evil lumberjacks led by Travis Thorne arrive Tanglewood to chop the forest down. McKenna cannot let this happen, and together with his new friends – Lords of the Tanglewood, a band of children who love to play in the forest – he battles against Thorne and his evil gang.

Former special services agent plays an intricate game of chess involving several federal agencies. Queen takes pawn.

In the rail yards of Queens, contractors repair and rebuild the city’s subway cars. These contracts are lucrative, so graft and corruption are rife. When Leo Handler gets out of prison, he finds his aunt married to Frank Olchin, one of the big contractors; he’s battling with a minority-owned firm for contracts.

Sam Ellis is a man on the rise — a hot-shot federal prosecutor on the cusp of a bright political future. But what was meant to be a one-time experience with an escort turns into a growing addiction — a new demon threatening to destroy his life, family, and career.