Joe Pesci stars as Louie Kritski, a heartless landlord who has been so negligent in keeping up his ghetto apartment that he is threatened with jail time. The judge gives him another option, which he accepts — he must live in his rat-infested hell hole until he brings it up to liveable standards. The judge gives him 120 days, during which time Louie meets many of his tenants, including drug dealer Marlon (Ruben Blades). Over time, Louie grows more sympathetic with their problems and sees the results of his own greediness. Unfortunately, Louie’s father, Big Lou Kritski (Vincent Gardenia), is the real owner of the property, and he resists his son’s entreaties to spend money to clean up the place.
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The true story of Polish fortunes and the story of the heroes from the first part has its colorful continuation. Can business friends continue to trust each other when even more money is at stake? How were state-owned companies privatized, garnering millions into private pockets? Who was pulling the strings in free Poland? Even more mysteries. Human weaknesses.
A one-armed martial arts master is being stalked by an Imperial assassin, the master of two fighters (the Tibetan Lamas) who were killed in the previous film. When the One-Armed Boxer is invited to attend a martial arts tournament, his efforts to lay low are unsuccessful, and the assassin soon tracks him down with the help of his three subordinates competing in the tournament: a Thai boxer, a yoga master, and a kobojutsu user.
Barney Thomson, awkward, diffident, Glasgow barber, lives a life of desperate mediocrity and his uninteresting life is about to go from 0 to 60 in five seconds, as he enters the grotesque and comically absurd world of the serial killer.
Years after his wife Kate died, Ned Stevens still cringes at the thought of dating other women. After all, why would he start dating again when he still has to look out for his daughter Liz? But when Liz comes home for a visit from college, she brings a surprise guest who will throw Ned for a loop. Can Ned ever accept that his little girl has fallen in love with David, a practically perfect know-it-all who drives Ned crazy?
A snobby musical theater camp is terrorized by a blood-thirsty killer who hates musical theater.
When a dysfunctional group of unpublished writers accept Hannah into their fold, the last thing they expect is her overnight success. Can these lovable misfits achieve their artistic dreams and avoid killing one another in the process?
A wanna-be vampire must team up with her ditsy, new roommate and a crazed vampire hunter to thwart an unexpected enemy’s despicable schemes.
A horror-comedy of errors, Die-ner (get it?) explores the existential dilemma of a sociopath killer who runs into the unique problem of his victims rising from the dead…
At a high-school party, four friends find that losing their collective virginity isn’t as easy as they had thought. But they still believe that they need to do so before college. To motivate themselves, they enter a pact to all “score.” by their senior prom.
Nora Wilder (Parker Posey), a single, career woman works at a Manhattan boutique hotel where her excellent skills in guest relations lack in the romantic department. If it is not her loving and dominant mother (Gena Rowlands) attempting to set her up that consistently fail, she has her friend’s (Drea de Matteo) disastrous blind dates to rely on as a backup for further dismay. She’s surrounded by friends who are all happily engaged or romantically involved and somehow, love escapes Nora — until she meets an unusual Frenchman (Melvil Poupaud) who helps her discover life beyond her self-imposed boundaries.
In 1931, following the success of the film Battleship Potemkin, Soviet filmmaker Sergei Eisenstein travels to the city of Guanajuato, Mexico, to shoot a new film. Freshly rejected by Hollywood, Eisenstein soon falls under Mexico’s spell. Chaperoned by his guide Palomino Cañedo, the director opens up to his suppressed fears as he embraces a new world of sensual pleasures and possibilities that will shape the future of his art.