A Pennsylvania band scores a hit in 1964 and rides the star-making machinery as long as it can, with lots of help from its manager.

Blondie and Dagwood are about to celebrate their fifth wedding anniversary but this happy occasion is marred when the bumbling Dagwood gets himself involved in a scheme that is promising financial ruin for the Bumstead family. Camping on the porch of the Poor House would become the most-used prevalent plot line in the 27 series-films that followed. It was also an issue in the comic-strip for about a year after its inception when it was basically a continuity strip but, aside from Dagwood’s inability to coax a pay-raise from Mr. Dithers over the years, the financial status of the family was seldom an issue when the format switched to a gag-a-day strip.

Sang-yeol, a 30-something loser stuck in a dead-end job as a home-shopping model, is able to marry the girl of his dreams – his modeling colleague So-yeon – when he discovers she’s pregnant with his child. But after marriage an even bigger discovery awaits: the child isn’t his – in fact he’s still a virgin, and he might even be gay…

In London, stuffy statesman Carter Harrison meets Toni, a Bohemian artist with a hot Italian temper. The two impulsively marry and then find that they disagree on everything. Shortly afterward they separate. We then meet them five years later on the eve before their divorce becomes final. After seeing each other again, sparks are reignited and they spend the night together. Reality sets in when morning comes and they begin arguing again. Once again, divorce proceedings are on, until Carter that an important promotion hinges on whether he’s married. He schemes to win back Toni and eventually succeeds. But can he keep her from destroying his career by posing as Lady Godiva in a protest movement?

When home entertainment enters the market in 90s Beijing, a former projectionist ropes his young son into starting their own pirate movie company, but easy money comes with its own price tag.

In a secluded house in a small seaside town live four unrelated men and the woman who tends to the house and their needs. All former priests, they have been sent to this quiet exile to purge the sins of their pasts, the separation from their communities the worst form of punishment by the Church. They keep to a strict daily schedule devoid of all temptation and spontaneity, each moment a deliberate effort to atone for their wrongdoings.

While everyone is away on a company ski trip, Robert’s neighbor hires two inept thieves to steal his latest invention. The neighborhood dogs will use Robert’s inventions to set up a house of horrors for the thieves.

Set in the south Texas town of Sucio Sangre near the vicious Mexican border, BLOOD SOMBRERO stars Billy Blair as a nameless thief hired by the ruthless crime lord Lucifer (Nick Gomez) to find a strange box with unknown contents. Meanwhile a mysterious yet violent girl named Josephine (Paula Solinger) holds the box while on the run from the deranged cult she once belonged to. Hot on her trail are two crooked cops (Fred Doss and Stephen Brodie) and a psychotic bounty hunter named Coffin. Their paths ultimately collide in an explosion of blood soaked chaos, leaving our anti-heroes to decide whether this box is worth their lives.

In this crime comedy, bizarre assassins must come together to unravel the puzzle of Stegman’s blackmail secret, and why he’s already dead on the set of his own porn film.

Over the course of his silly, high-energy performance, Holmes shares his thoughts on such disparate topics as: the keys to happiness; the illogicality of nightmares; being an “easy laugh”; what to wear on a flight; bizarre quirks of language; filling one’s “joy quota”; how the British deal with awkward situations; the ridiculousness of porn; and more.

An idealistic, modern-day cowboy struggles to keep his Wild West show afloat in the face of hard luck and waning interest.

A washed up Vegas lounge singer, Jack Satin (Hamilton von Watts), has no money, no job, and delusional aspirations of fame. When Jack is forced to leave Vegas, he packs up his old Cadillac and hits the road for Atlantic City. But his car dies in the desert and Jack is left stranded in the small town of Lost Springs. There, Jack meets jazz legend turned mechanic, Doc Bishop (Robert Guillaume), who helps him with his car trouble. Although Jack is far from the stage, he begins to find himself feeling at home in the small town. When he meets local bar owner, Lauren Wells (Melissa Joan Hart), Jack starts to see there is more to life than chasing fame and fortune. Doc encourages Jack to explore his true love of music, while Lauren provides the audience he has always wanted. But as Jack realizes this town has more to offer him than the bright lights of the big city, his Vegas past catches up with him — what unfolds is comedy at the crossroads of life.