Henry Manning (Paul Newman) has come up with a new way to break out of prison: fake a stroke and get transferred to a nursing home. It’s a perfect plan, except for one thing: the woman assigned to take care of him at the nursing home, Carol Ann McKay (Linda Fiorentino), has a plan of her own.
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Set in Abidjan’s MACA prison, the aging Black Beard, in attempt to maintain control over his fellow inmates, resorts to a “story” ritual, wherein one prisoner is forced, Scheherazade-style, to tell stories for an entire night. The young pickpocket he chooses relays the haunting tale of the Zama King.
A group of scientists are experimenting with time travel, and they manage to send one of their group ahead in time one hour. But when he comes back, he tells them that they’ll all be dead within the next hour unless they shut the machine down.
17-year-old Kelly falls in love with Christian, an older man, her father tries to intervene before the crush turns into a dangerous obsession.
Gabriel can’t resist a beautiful woman. But his womanizing attitude is taking a toll on his career and social life. He decides to hire a life coach to help him.
North London band Wolf Alice have had a rise to prominence that might have been bends-inducing were it not for their tightness as a group. In summer of 2015, the deliciously dark, hook-and-riff-filled sound of their debut album, My Love Is Cool, inspired the NME to crown it: “the debut of the decade”. As a measure of their impact, BAFTA-winning filmmaker Michael Winterbottom joined the band on the road, capturing 16 different gigs and daily life backstage.
Convenience and video store clerks Dante and Randal are sharp-witted, potty-mouthed and bored out of their minds. So in between needling customers, the counter jockeys play hockey on the roof, visit a funeral home and deal with their love lives.
Recently deceased, a white-sheeted ghost returns to his suburban home to console his bereft wife, only to find that in his spectral state he has become unstuck in time, forced to watch passively as the life he knew and the woman he loves slowly slip away.
1930s Hollywood is reevaluated through the eyes of scathing social critic and alcoholic screenwriter Herman J. Mankiewicz as he races to finish the screenplay of Citizen Kane.
After being dumped on her 30th birthday, Trish Santos works through her loneliness with help from her online art students, her two best friends, and a box of homemade self-help tapes given to her by the mysterious “mind painter” Doc Garcia.
A heartbreaking home birth leaves a woman grappling with the profound emotional fallout, isolated from her partner and family by a chasm of grief.
