A bored, unhappy suburban housewife gets mixed up in witchcraft and murder.Joan Mitchell is an unhappy, suburban housewife pushing 40, who has an uncommunicative businessman husband, named Jack, and a distant 19-year-old daughter, named Nikki, on the verge of moving out of the house. Frustrated at her current situation, Joan seeks solace in witchcraft after visiting Marion Hamilton, a local tarot reader and leader of a secret black arts wicca set, who inspires Joan to follow her own path. After dabbling a little in witchcraft, Joan, believing herself to have become a real witch, withdraws into a fantasy world and sinks deeper and deeper into her new lifestyle until the line between fantasy and reality becomes blurred and eventually tragedy results.

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What happens when a washed up KGB agent, who has defected to the United States, gets into the back seat of an Uber with a Nuclear Bomb he has to disarm in 48 hours?

Set in Berlin during WWII, the Nazi regime is attempting to develop a drug that will animate the dead, in order to use in the war effort. Toulin arouses suspicion as a Nazi dissident, and his secret is discovered. During a Nazi raid on his home, Toulin’s beautiful wife is murdered. Toulin vows revenge, with the help of his animated puppets.

In the late 1960s, C’est Si Bon is the music bar where every acoustic band’s dream lies. There Geun-tae, a naïve country boy, meets the young musical prodigies Hyung-joo and Chang-sik, and forms the band named after it — the C’est Si Bon Trio. As the three young artists bicker over their music, beautiful socialite Ja-young enters the picture and becomes their muse, and a series of moving love songs come from it. Geun-tae’s pure-heartedness wins Ja-young over but when she accepts a once-in-lifetime opportunity for a shot at an acting career, they part ways. After 20 years, the untold story of their love, song, and youth at C’est Si Bon is finally brought to light.

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Sohyun, a runaway, is left alone after her close friend Jungho disappears. By accident, she gets to know a transgender woman named Jane. She joins Jane and her close-knit community of runaways, who are as comforting and loving as a real family. Sohyun feels happy and at peace. But her happiness does not last long. There is something wrong with Jane’s health.

Korea’s biggest network marketing scam reveals a far greater network of corruption and conspiracy lurking underneath.

Deep in the wilderness of Lapland, Aatami Korpi is searching for gold but after he stumbles upon Nazi patrol, a breathtaking and gold-hungry chase through the destroyed and mined Lapland wilderness begins.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

Ex-UFC fighter Dalton takes a job as a bouncer at a Florida Keys roadhouse, only to discover that this paradise is not all it seems.

Brandon is a New Yorker who shuns intimacy with women but feeds his desires with a compulsive addiction to sex. When his wayward younger sister moves into his apartment stirring memories of their shared painful past, Brandon’s insular life spirals out of control.